Records the reminiscences of the old-time cow people of Texas and the bygone days of the open range.

Cow People records the fading memories of a bygone Texas, the reminiscences of the cow people themselves. These are the Texans of the don't-fence-me-in era, their faces pinched by years of squinting into the desert glare, tanned by the sun and coarsened by the dust of the Chisholm Trail. Their stories are often raucous but just as often quiet as hot plains under a pale Texan sky. A native Texan, J. Frank Dobie had an inborn knowledge of the men and customs of the trail camps. Cattlemen were as various as the country was big. Ab Blocker was a tall, quiet man who belonged totally to the cattle and the silent plains. But big men often had big lungs. "Shanghai Pierce was the loudest man in the country. He would sit at one end of a day coach and in normal voice hold conversation with some man at the other end of the coach, who of course had to yell, while the train was clanking along. He knew everybody, yelled at everybody he saw." Texas bred tall men and taller stories. There was Findlay Simpson, who played havoc with fact but whiled away the drivers' long, lonely evenings with his tales. Old Findlay told of a country so wet that it bogged down the shadow of a buzzard, and of cattle that went into hibernation during rugged winters; he once spun yarns for three days straight, outlasting his listeners in a marathon of endurance. All real cow people--from the cattle drivers to the cattle owners--lived by a simple code based on the individual's integrity. Bothering anyone else's poke or business uninvited was strictly forbidden, and enforcement of this unwritten law was as easy as pulling a trigger. Honesty was taken for granted, and a cowman's name on a check made it negotiable currency. Yet Texas had its "bad guys"--the crooks, the thieves, even the tightwads. "A world big enough to hold a rattlesnake and a purty woman is big enough for all kinds of people," wrote Dobie. This is the world whose vast and various population the reader will find in Cow People.

"Within a day of receiving this book, I had consumed it... Absorbing, moving, and compulsively readable."—Lydia Davis In this affectionate, heart-warming chronicle, Rosamund Young distills a lifetime of organic farming wisdom, describing the surprising personalities of her cows and other animals At her famous Kite's Nest Farm in Worcestershire, England, the cows (as well as sheep, hens, and pigs) all roam free. They make their own choices about rearing, grazing, and housing. Left to be themselves, the cows exhibit temperaments and interests as diverse as our own. "Fat Hat" prefers men to women; "Chippy Minton" refuses to sleep with muddy legs and always reports to the barn for grooming before bed; "Jake" has a thing for sniffing the carbon monoxide fumes of the Land Rover exhaust pipe; and "Gemima" greets all humans with an angry shake of the head and is fiercely independent. An organic farmer for decades, Young has an unaffected and homely voice. Her prose brims with genuine devotion to the wellbeing of animals. Most of us never apprehend the various inner lives animals possess, least of all those that we might eat. But Young has spent countless hours observing how these creatures love, play games, and form life-long friendships. She imparts hard-won wisdom about the both moral and real-world benefits of organic farming. (If preserving the dignity of animals isn't a good enough reason for you, consider how badly factory farming stunts the growth of animals, producing unhealthy and tasteless food.) This gorgeously-illustrated book, which includes an original introduction by the legendary British playwright Alan Bennett, is the summation of a life's work, and a delightful and moving tribute to the deep richness of animal sentience.

With her trademark precision, Davis turns her eye to three beloved cows, capturing them in celebratory, delighted detail.

Fourteen remarkable stories that combine strong Western settings with a subtle and distinct female voice. This critically celebrated debut collection marks the exciting beginning of prize-winner Meloy’s promising career. Lean and controlled in their narration, abundant and moving in their effects, Maile Meloy’s stories introduce a striking talent. Most are set in the modern American West, made vivid and unexpected in Meloy’s unsentimental vision; others take us to Paris, wartime London, and Greece, with the same remarkable skill and intuition. In “Four Lean Hounds, ca. 1976,” two couples face a complicated grief when one of the four dies. In “Ranch Girl,” the college-bound daughter of a ranch foreman must choose which adult world she wants to occupy. In “A Stakes Horse,” a woman confronts risk and loss at the racetrack and at home. And in “Aqua Boulevard”—winner of the 2001 Aga Khan Prize for Fiction—an elderly Parisian confronts his mortality. Meloy’s command of her characters’ voices is breathtaking; their fears and desires are deftly illuminated. Smart, surprising, and evocative, Meloy’s brilliantly observed stories fully engage the mind and heart.

This New York Times bestseller recounts the true story of the touching gift bestowed on the US by the Maasai people in the wake of the September 11 attacks. In June of 2002, a mere nine months since the September 11 attacks, a very unusual ceremony begins in a far-flung village in western Kenya. An American diplomat is surrounded by hundreds of Maasai people. A gift is about to be bestowed upon the American men, women, and children, and he is there to accept it. The gift is as unexpected as it is extraordinary. Hearts are raw as these legendary Maasai warriors offer their gift to a grieving people half a world away. Word of the gift will travel newswires around the globe, and for the heartsick American nation, the gift of fourteen cows emerges from the choking dust and darkness as a soft light of hope―and friendship. With stunning paintings from Thomas Gonzalez, master storyteller Carmen Agra Deedy (in collaboration with Naiyomah) hits all the right notes in this elegant story of generosity that crosses boundaries, nations, and cultures.

This volume originates in a conference session that took place at the 2018 International Council of Archaeozoology conference in Ankara, Turkey, entitled "Humans and Cattle: Interdisciplinary Perspectives to an Ancient Relationship." The aim of the session was to bring together zooarchaeologists and their colleagues from various other research fields working on human cattle interactions over time. The contributions in this volume reflect well the breadth of work being undertaken on the ancient relationship between humans and cattle across the continents of Europe, Africa and Asia, and from the late Pleistocene to postmedieval period. Almost all involve the study of archaeological cattle remains and use different zooarchaeological methods, but the combination of these approaches with that of ethnography, isotopes and genetics is also featured. Author Interview