They are first cousins twice over, but have had widely divergent political trajectories. One, an abrasive, fire-breathing demagogue, was seen as his uncle's political heir whose behavioural traits he cultivated. The other, an introvert, is at his best when plotting strategies on the drawing board rather than the rough-and-tumble of street-corner politics that his party is known for in India's financial capital. Starting out as brothers-in-arms, they had a bitter falling out over inheriting the party mantle. The younger cousin branched out on his own, hijacked the populist, ethno-centric plank of his parent party, putting his cousin-turned-political foe on the defensive. A series of miscalculations later, the boot seems to be on the other foot. The elder cousin has managed to keep his flock together and cemented his position as his late father Bal Thackeray's political heir, while the other, one of the most popular crowd-pullers in Maharashtra, is itching for an electoral comeback. The Cousins Thackeray evaluates the political careers of Shiv Sena president Uddhav Thackeray and Maharashtra Navnirman Sena (MNS) chief Raj Thackeray. It also examines questions about identity politics, and the social, cultural and economic matrix that catalysed the formation of the Shiv Sena and the MNS from it. Above all, it is a look at what makes the Thackeray cousins so integral to the politics of India, Maharashtra and Mumbai.

This book, the first of two volumes anticipating the bicentenary of the birth of William Makepeace Thackeray in 1811, details not only the author's life, but also the cosmopolitan and literary worlds inhabited by his two daughters, Minny and Annie. When Thackeray died in 1863, the two sisters were forced to find their own way forward. Minny would marry Leslie Stephen, later father of Virginia Woolf, and die at only thirty-five; Annie, encouraged in early years by her father, would herself emerge as a successful novelist, though one always living, albeit willingly, within her father's shadow. Drawing continuously on the letters, diaries, journals and notebooks of the Thackerays and their circle, Aplin sheds light on this remarkable man's family, and the effect that his life, death and legacy had on those closest to him. The book will appeal not just to those interested in Thackeray and the Victorians, but also to readers of biography, womenis studies and memoirs, and to followers of Viriginia Woolf and Bloomsbury.

A rich and evocative portrait of one of the greatest authors of Victorian England Who was William Makepeace Thackeray? Was he the wealthy dilettante who came to London in the 1830s and squandered his fortune on newspapers? Was he the impoverished freelance author of the 1840s who scrapped for every penny he could get? Or was he the great writer who published Vanity Fair in 1847, skewering Victorian society and ensuring his literary legacy? Throughout the many phases of his life, Thackeray remained an enigma. He was friendly but standoffish, generous yet miserly, confident and utterly terrified of failure. A century and a half after Thackeray’s death, D. J. Taylor has produced a biography that tackles the complexities of these contradictions and restores Thackeray to his place in the literary pantheon. His fortune lost by the time he was thirty, his personal life in constant torment, Thackeray’s story is as dramatic as that of any of his characters. In Thackeray, the man can finally be seen in full.

Marking the bicentenary of the birth of William Makepeace Thackeray in 1811, this five-volume set presents a collection of materials relating to the novelist and to his gifted family.