In old England, if a king didn't like you, he would cut off your head. Now, if they don't like you, they'll cut off your project! As the Johnson Administration initiated its war on poverty in the 1960s, the Mingo County Economic Opportunity Commission project was established in southern West Virginia. Huey Perry, a young, local history teacher was named the director of this program and soon he began to promote self-sufficiency among low-income and vulnerable populations. As the poor of Mingo County worked together to improve conditions, the local political infrastructure felt threatened by a shift in power. Bloody Mingo County, known for its violent labor movements, corrupt government, and the infamous Hatfield-McCoy rivalry, met Perry's revolution with opposition and resistance. In They'll Cut Off Your Project, Huey Perry reveals his efforts to help the poor of an Appalachian community challenge a local regime. He describes this community's attempts to improve school programs and conditions, establish cooperative grocery stores to bypass inflated prices, and expose electoral fraud. Along the way, Perry unfolds the local authority's hostile backlash to such change and the extreme measures that led to an eventual investigation by the FBI. They'll Cut Off Your Project chronicles the triumphs and failures of the war on poverty, illustrating why and how a local government that purports to work for the public's welfare cuts off a project for social reform.

"Black women's heads of hair are galaxies unto themselves, solar systems, moonscapes, volcanic interiors." —Elizabeth Alexander, from the Introduction Using advertising photographs of black women (and men) drawn from vintage issues of Ebony and Jet magazines, the exquisite and thought-provoking collages of world-renowned artist Lorna Simpson explore the richly nuanced language of hair. Surreal coiffures made from colorful ink washes, striking geological formations from old textbooks, and other unexpected forms and objects adorn the models to mesmerizingly beautiful effect. Featuring 160 artworks, an artist's statement, and an introduction by poet, author, and scholar Elizabeth Alexander, this volume celebrates the irresistible power of Simpson's visual vernacular.

For a millenium, the Children of Amarid have served the people of Tobyn-Ser. Drawing upon the Mage-Craft, which flows from the psychic bond they forge with their avian familiars, the Mages of the Order have fulfilled their oaths by healing the injured and ill, repelling invasions by the land's enemies, and caring for the people in times of crisis. They are governed by laws handed down by Amarid, the first of their kind, who committed the Mage-Craft to the people's protection. Only once in a thousand years has a mage defied those laws. Theron, a contemporary of Amarid, sought to use his powers to gain wealth and glory. For that he was punished, though not before he brought down a terrible curse on his fellow mages and all who would come after them. Recently, dark rumors have spread across Tobyn-Ser. Children of Amarid have been seen destroying crops, vandalizing homes, massacring men, women, and children. Have the mages forsaken their oaths? Has Theron returned from beyond death to take his vengeance? Or does Tobyn-Ser face a new threat, one it is ill-prepared and ill-equipped to face? With the land in turmoil and faith in the Mage-Craft badly shaken, it falls to Jaryd, a young mage with extraordinary potential, but little knowledge of the power he wields, to find and destroy Tobyn-Ser's enemies before they destroy all he holds dear. CHILDREN OF AMARID is the first volume of the LonTobyn Chronicle, David B. Coe's Crawford Award-winning debut series. This is the Author's Edit of the original book.

This heartfelt, deeply personal memoir explores how a celebrated filmmaker and activist and his conservative Mormon mother built bridges across today’s great divides—and how our stories hold the power to heal. • Adapted as an HBO documentary now streaming on HBO Max. “A beautifully written, utterly compelling account of growing up poor and gay with a thrice married, physically disabled, deeply religious Mormon mother, and the imprint this irrepressible woman made on the character of Dustin Lance Black.” —Jon Krakauer, bestselling author of Missoula and Under the Banner of Heaven Dustin Lance Black wrote the Oscar-winning screenplay for Milk and helped overturn California’s anti–gay marriage Proposition 8, but as an LGBTQ activist he has unlikely origins—a conservative Mormon household outside San Antonio, Texas. There he was raised by a single mother who, as a survivor of childhood polio, endured brutal surgeries as well as braces and crutches for life. Despite the abuse and violence of two questionably devised Mormon marriages, she imbued Lance with her inner strength and irrepressible optimism. When Lance came out to his mother at age twenty-one, she initially derided his sexuality as a sinful choice. It may seem like theirs was a house destined to be divided—and at times it was. But in the end, they did not let their differences define them or the relationship that had inspired two remarkable lives. This heartfelt, deeply personal memoir explores how a mother and son built bridges across great cultural divides—and how our stories hold the power to heal.