Offers information and resources for remaking one's life in a rural setting.

This is a book of photography documenting the Country and the people that have preserved and live in Hunt Country near Unionville, Pennsylvania.

Filipino Americans, who experience life in the United States as immigrants, colonized nationals, and racial minorities, have been little studied, though they are one of our largest immigrant groups. Based on her in-depth interviews with more than one hundred Filipinos in San Diego, California, Yen Le Espiritu investigates how Filipino women and men are transformed through the experience of migration, and how they in turn remake the social world around them. Her sensitive analysis reveals that Filipino Americans confront U.S. domestic racism and global power structures by living transnational lives that are shaped as much by literal and symbolic ties to the Philippines as they are by social, economic, and political realities in the United States. Espiritu deftly weaves vivid first-person narratives with larger social and historical contexts as she discovers the meaning of home, community, gender, and intergenerational relations among Filipinos. Among other topics, she explores the ways that female sexuality is defined in contradistinction to American mores and shows how this process becomes a way of opposing racial subjugation in this country. She also examines how Filipinos have integrated themselves into the American workplace and looks closely at the effects of colonialism.

In Bound for Shady Grove, essayist Steven Harvey celebrates the spirit of the music of his adopted home in the southern Appalachian mountains. There, at the wellspring of mountain music, he took up his guitar and assumed the journey that culminated in this book. Harvey's essays measure out in words the four seasons of a life in music. Springtime pieces describe playing music in the log house of friends born and raised in the mountains or entering a banjo contest and losing with style. There are essays about fiddles and the devil, homemade instruments and homemade weapons, and a trip to England to trace mountain songs back to their elusive sources. As the book progresses into winter, the mood darkens, with pieces exploring the connection between music and resentment, loss, and death. Descriptions of music, hills, and people blend into a rich harmony as Harvey explores where music has taken him--where, in fact, music can take any of us.

A high-ranking Annapolis cadet who was expelled from the Naval Academy for homosexuality recreates life inside the Academy, taking readers through all four years, and addresses the issue of straight and gay sex within the institution.