Was the “Blood Countess” history’s first and perhaps worst female serial killer? Or did her accusers create a violent fiction in order to remove this beautiful, intelligent, ambitious foe from the male-dominated world of Hungarian politics? In 1611, Countess Erzsébet Báthory, a powerful Hungarian noblewoman, stood helpless as masons walled her inside her castle tower, dooming her to spend her final years in solitary confinement. Her crime: the gruesome murders of dozens of female servants, mostly young girls tortured to death for displeasing their ruthless mistress. Her opponents painted her as a bloodthirsty škrata—a witch—a portrayal that would expand to grotesque proportions through the centuries. In this riveting dramatization of Erzsébet Báthory’s life, the countess tells her story in her own words, writing to her only son—a final reckoning from his mother in an attempt to reveal the truth behind her downfall. Countess Báthory describes her upbringing in one of the most powerful noble houses in Hungary, recounting in loving detail her devotion to her parents and siblings as well as the heartbreak of losing her father at a young age. She soon discovers the price of being a woman in sixteenth-century Hungary as her mother arranges her marriage to Ferenc Nádasdy, a union made with the cold calculation of a financial transaction. Young Erzsébet knows she has no choice but to accept this marriage even as she laments its loveless nature and ultimately turns to the illicit affections of another man. Seemingly resigned to a marriage of convenience and a life of surreptitious pleasure, the countess surprises even herself as she ignites a marital spark with Ferenc through the most unromantic of acts: the violent punishment of an insolent female servant. The event shows Ferenc that his wife is no trophy but a strong, determined woman more than capable of managing their vast estates during Ferenc’s extensive military campaigns against the Turks. Her naked assertion of power accomplishes what her famed beauty could not: capturing the love of her husband. The countess embraces this new role of loving wife and mother, doing everything she can to expand her husband’s power and secure her family’s future. But a darker side surfaces as Countess Báthory’s demand for virtue, obedience, and, above all, respect from her servants takes a sinister turn. What emerges is not only a disturbing, unflinching portrait of the deeds that gave Báthory the moniker “Blood Countess,” but an intimate look at the woman who became a monster.

Provides advice on etiquette and modern social graces, covering the art of being oneself in any situation, ways to make other people comfortable, and the art of seduction.

“A lush and bloody historical thriller” based on the infamous real-life inspiration for Countess Dracula, a Hungarian noblewoman turned serial killer.(Kirkus Reviews) In sixteenth-century Hungary, Anna Darvulia has just begun working as a scullery maid for the young and glamorous Countess Elizabeth Báthory. When Elizabeth takes a liking to Anna, she’s vaulted to the dream role of chambermaid, a far cry from the filthy servants’ quarters below. She receives wages generous enough to provide for her family, and the Countess begins to groom Anna as her friend, confident and lover. It’s not long before Anna falls completely under the Countess’s spell—and the Countess t”akes full advantage. Isolated from her former friends, family, and fiancé, Anna realizes she’s not a friend but a prisoner of the increasingly cruel Elizabeth. Then come the murders, and Anna knows it’s only a matter of time before the Blood Countess turns on her, too. “Popovic balances lush, romantic language with gruesome imagery in this tale of innocence lost. Readers will likely be inspired to do actual research into Lady Bathory’s murderous misdeeds.” —Booklist “Popovic also touches on how a patriarchal society can drive women to extremes without letting the truly terrifying Bathory, or Anna, off the hook for their own actions.” —Kirkus Reviews “Hand to fans of dark historical fiction and powerful female characters.” —School Library Journal

'A scintillating story superbly told... [Ostler] packs every paragraph with eye-opening detail' The Times 'A rollicking read... [Ostler] tells Elizabeth's story with admirable style and gusto' Sunday Times 'Terrifically entertaining: if you liked Bridgerton, you’ll love this...and her research is impeccable' Evening Standard 'Fascinating. Magnificent.​ Sensitively told' Hallie Rubenhold, author of The Five 'Catherine Ostler’s superb, gripping, decadent biography brings an extraordinary woman and a whole world blazingly to life' Simon Sebag Montefiore When the glamorous Elizabeth Chudleigh, Duchess of Kingston, Countess of Bristol, went on trial at Westminster Hall for bigamy in April 1776, the story drew more attention in society than the American War of Independence. A clandestine, candlelit wedding to the young heir to an earldom, a second marriage to a Duke, a lust for diamonds and an electrifying appearance at a masquerade ball in a diaphanous dress: no wonder the trial was a sensation. However, Elizabeth refused to submit to public humiliation and retire quietly. Rather than backing gracefully out of the limelight, she embarked on a Grand Tour of Europe, being welcomed by the Pope and Catherine the Great among others. As maid of honour to Augusta, Princess of Wales, Elizabeth led her life in the inner circle of the Hanoverian court and her exploits delighted and scandalised the press and the people. She made headlines, and was a constant feature in penny prints and gossip columns. Writers were intrigued by her. Thackeray drew on Elizabeth as inspiration for his calculating, alluring Becky Sharp. But her behaviour, often depicted as attention-seeking and manipulative, hid a more complex tale – that of Elizabeth’s fight to overcome personal tragedy and loss. Now, in this brilliantly told and evocative biography, Catherine Ostler takes a fresh look at Elizabeth’s story and seeks to understand and reappraise a woman who refused to be defined by society’s expectations of her. A woman who was by turns, brave, loving and generous but also reckless, greedy and insecure; a woman totally unwilling to accept the female status of underdog or to hand over all the power, the glory and the adventures of life to men.

Daphne du Maurier award finalist for Best Historical Mystery “This story is full of romance and suspense. . . No one can resist a novel written by Cheryl Bolen. Her writing talents charm all readers. Highly recommended reading! 5 stars!” – Huntress Reviews “Bolen pens a sparkling tale, and readers will adore her feisty heroine, the arrogant, honorable Warwick and a wonderful cast of supporting characters.” – RT Book Reviews * * * Maggie thought she was married to an earl . . . but it seems that her late and unlamented husband lied to her from the day they met. Now—penniless and stranded in London—she has thrown herself on the mercy of the real Lord Warwick. What's a counterfeit countess to do? Edward, the Earl of Warwick, desires only to get rid of the beautiful woman who arrived at his house with no less than fourteen trunks, a younger sister, a maid, and a very large cat. Her preposterous explanation is of no importance—but her late husband held the clue to the identity of England's greatest traitor, a clue the Foreign Service must get at any cost. Edward will have to guard her night and day—but he cannot guard his heart.

Mr. Van Vechten has hitherto, often and with justice, been compared to Mr. Aldous Huxley, by reason of the insouciant flippancy of his fiction. But now he has gone beyond Huxley through the production of a story which, without ever losing wit, dexterity, an instinct for civilized charm, yet presents full-length and solidly the portraits not only of the gay countess but of the lugubrious persons whom she is fated to meet, to court, to hurt so pitifully, so inevitably. There are, one hears, accounts these days in the public prints of a banker named Dawes, of a biochemist named Brother Charlie or possibly Charley. But now the fifty or sixty thousand amiable citizens among our hundred and ten million Nordics who do not feel fulfilled in Brother Charlie or Charley, nor even in Brother Charlie's brother, may find civilized delight in a real book-"The Tattooed Countess."--The Saturday Review, Volume 1

This whimsical collection of twenty cat-approved life lessons for living your purrfect life is accompanied by gorgeous, lushly detailed paintings. Miss Marcella Mink and sixty-seven of her favorite feline friends live happily in her big house by the sea. But there was a time when Miss Mink was not so happy. When Miss Mink created her own business -- a feline-friendly cruise company for cat lovers and their furry companions -- she found she no longer had time or energy for herself or her friends. For advice she turned to her cats, who always seemed so happy, healthy, well-rounded, well-groomed and well-rested. It was not long before the Cat Countess was feeling shipshape again. Collected here are Miss Mink's twenty cat-approved lessons, from the benefits of a good grooming and an afternoon nap to valuable advice on friendship and diet.