New vocabulary for a world on the brink The Anthropocene is a term proposed for the present geological epoch (from the time of the Industrial Revolution onwards) to highlight the role of humanity in the transformation of earth's environment globally, has become the subject of scholarship not only in the sciences, but also in the arts and humanities as well. Ecopoetics, a multidisciplinary approach that includes thinking and writing on poetics, science, and theory as well as emphasizing innovative approaches common to conceptual poetry, rose out of the late 20th-century awareness of ecology and concerns of environmental disaster. Collected from contributors including Brenda Hillman, Eileen Tabios, and Christopher Cokinos, and together a monument to human responsiveness and invention, Counter-Desecration is a book of ecopoetics that compiles terms—borrowed, invented, recast—that help configure or elaborate human engagement with place. There are no analogous volumes in the field of ecocriticism and ecopoetics. The individual entries, each a sketch or a notion, through some ecopoetic lens—anti-colonialism, bioregionalism, ecological (im)balance, indigeneity, resource extraction, extinction, habitat loss, environmental justice, queerness, attentiveness, sustainability—focus and configure the emerging relations and effects of the Anthropocene. Each entry is a work of art concerned with contemporary poetics and environmental justice backed with sound observation and scholarship.

To date, the notion of repatriation has been formulated as a highly polarized debate with museums, archaeologists, and anthropologists on one side, and Native Americans on the other. This volume offers both a retrospective and a prospective look at the topic of repatriation. By juxtaposing the divergent views of native peoples, anthropologists, museum professionals, and members of the legal profession, it illustrates the complexity of the repatriation issue.

This breakthrough book examines dynamic intersections of poetics and geography. Gathering the essays of an international cohort whose work converges at the crossroads of poetics and the material world, Geopoetics in Practice offers insights into poetry, place, ecology, and writing the world through a critical-creative geographic lens. This collection approaches geopoetics as a practice by bringing together contemporary geographers, poets, and artists who contribute their research, methodologies, and creative writing. The 24 chapters, divided into the sections “Documenting,” “Reading,” and “Intervening,” poetically engage discourses about space, power, difference, and landscape, as well as about human, non-human, and more-than-human relationships with Earth. Key explorations of this edited volume include how poets engage with geographical phenomena through poetry and how geographers use creativity to explore space, place, and environment. This book makes a major contribution to the geohumanities and creative geographies by presenting geopoetics as a practice that compels its agents to take action. It will appeal to academics and students in the fields of creative writing, literature, geography, and the environmental and spatial humanities, as well as to readers from outside of the academy interested in where poetry and place overlap.

The story of humanity's evolving relationship with the natural world from pre-history to the present day Nature has long been the source of human curiosity and wonderment, and the inspiration for some of our deepest creative impulses. But we are now witnessing its rapid impoverishment, even destruction, in much of our world. In this beautifully illustrated book, Jeremy Mynott traces the story of nature--past, present and future. From the dramatic depictions of animals by the prehistoric cave-painters, through the romantic discovery of landscape in the eighteenth century, to the climate emergency of the present day, Mynott looks at the different ways in which humankind has understood the world around it. Charting how our ideas about nature emerged and changed over time, he reveals how the impulse to control nature has deep historical roots. As we reach an environmental crisis point, this vital study shows how human imagination and wonder can play a restorative role--and reveal what nature ultimately means to us.

"Sticks and stones may break my bones but words will never hurt me." This schoolyard rhyme projects an invulnerability to verbal insults that sounds good but rings false. Indeed, the need for such a verse belies its own claims. For most of us, feeling insulted is a distressing-and distressingly common-experience. In Sticks and Stones, philosopher Jerome Neu probes the nature, purpose, and effects of insults, exploring how and why they humiliate, embarrass, infuriate, and wound us so deeply. What kind of injury is an insult? Is it determined by the insulter or the insulted? What does it reveal about the character of both parties as well as the character of society and its conventions? What role does insult play in social and legal life? When is telling the truth an insult? Neu draws upon a wealth of examples and anecdotes-as well as a range of views from Aristotle and Oliver Wendell Holmes to Oscar Wilde, John Wayne, Katherine Hepburn, and many others-to provide surprising answers to these questions. He shows that what we find insulting can reveal much about our ideas of character, honor, gender, the nature of speech acts, and social and legal conventions. He considers how insults, both intentional and unintentional, make themselves felt-in play, Freudian slips, insult humor, rituals, blasphemy, libel, slander, and hate speech. And he investigates the insult's extraordinary power, why it can so quickly destabilize our sense of self and threaten our moral identity, the very center of our self-respect and self-esteem. Entertaining, humorous, and deeply insightful, Sticks and Stones unpacks the fascinating dynamics of a phenomenon more often painfully experienced than clearly understood.

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

An insightful, beautifully written study of how nature has influenced popular fairy tales like Rapunzel and Little Red Riding Hood—pairing 12 modern retellings with detailed histories of Northern European forests. Fairy tales are one of our earliest cultural forms, and forests one of our most ancient landscapes. Both evoke similar sensations: At times, they are beautiful and magical, at others—spooky and sometimes horrifying. Maitland argues that the terrain of these fairy tales are intimately connected to the mysterious secrets and silences, gifts, and perils. With each chapter focusing on a different story and a different forest visit, Maitland offers a complex history of forests and how they shape the themes of fairy tales we know best. She offers a unique analysis of famous stories including Rapunzel, Hansel and Gretal, Snow White, Little Red Riding Hood, Rumplestiltskin, and Sleeping Beauty. Maitland uses fairy tales to explore how nature itself informs our imagination, and she guides the reader on a series of walks through northern Europe’s best forests to explore both the ecological history of forests and the roots of fairy tales. In addition to the twelve modern retellings of these traditional fairy tales, she includes beautiful landscape photographs taken by her son as he joined her on these long walks. Beautifully written and impeccably researched, Maitland has infused new life into tales we’ve always thought we've known.