Costa-Gavras is a seminal figure in French and international cinema. A master of the political thriller, he explores historical events through individual human stories, thereby involving his audience in past and contemporary traumas, from the horrors of the Holocaust through mid-century international state terrorism and totalitarianism to the current global financial crisis. With a career spanning half a century, he remains one of cinema’s most intriguing and enduring storytellers, theorists and political commentators. This collection of original essays charts and re-examines Costa-Gavras’s career from Un homme de trop (1967) to Le capital (2012). Readable and carefully researched, it will appeal to students and scholars of film, as well as fans of the director’s work.

Costa-Gavras: Encounters with History explores the life and work of the director intertwined with historical and socio-political events, from the early stages of his career: emigrating to France from Greece in 1955 and first studying at the Sorbonne, then focusing on filmmaking at IDHEC, now La Fémis. He became an internationally respected director, first with his Oscar-award winning film Z (1969) and continued with a vast array of films, including his most recent work, Adults in the Room (2019). His films portray the complexities of human nature, relationships challenged by historical and contemporary socio-political issues. In this overview of the director's films, the authors shed light on his encounters with history from his youth in war-torn Greece to his later films on immigration, unemployment, global capitalistic greed, and the abuse of political and economic power in Europe. Costa-Gavras' films have spanned several decades and several continents, to combat unethical laws and injustice, oppression, legal/illegal violence, and torture. Throughout his evolution in the world of cinema for over half a century as director, writer, and producer, Costa-Gavras has told human-interest stories that entertain and inspire, and that help us better understand ourselves and a fragile, fragmented world.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Presents a collection of the critic's most positive film reviews of the last four decades, arranged alphabetically from "About Last Night" to "Zodiac."

Jürgen Müller's overview of the films of the 1960s has over a hundred A to Z entries that include synopses, film stills, cast and crew listings, box office figures, trivia and actor and director biographies. The book covers examples of Italian, French, German and American movies that strongly characterized the 1960s.

Presenting Hollywood as one of our most influential interpreters of history, Toplin offers a close examination of Mississippi Burning, JFK, Sergeant York, Missing, Bonnie and Clyde, Patton, All the President's Men, and Norma Rae.--Distributed by Syndetics Solutions, LLC.

"The first history of cinema's treatment of terrorism from the birth of film to today"--