to lead you into a humorous, yet frightening, story...

I love games because they are better than reality. Fejize loves video games. He always wanted to experience a fantasy world, he always wish to experience magic. One day after playing level up his wish came true he was teleported into the game. Instead of an exciting and new adventure he saw how hard it was and realized he need to keep moving forward to survive in this world. Along with his friends Rem and Sussy together they fight for survival.

Kishinuma and Shinozaki may have escaped the cursed Tenjin Elementary School, but the rest of their surviving classmates are still trapped. Will they trade their safety for the lives of their friends? Meanwhile, Morishige's corpse obsession reaches a point past all return and Kizami shows his true colors to Yuka--will her big brother come to save her before it's too late?

An NYRB Classics Original Winner of the 2014 PEN Translation Prize Winner of the 2014 Read Russia Prize The stakes are wildly high in Sigizmund Krzhizhanovsky’s fantastic and blackly comic philosophical fables, which abound in nested narratives and wild paradoxes. This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky’s most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room’s previous occupant; the fingers of a celebrated pianist’s right hand run away to spend a night alone on the city streets; a man’s lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.

The extraordinary new novel from the winner of the 2004 Lannan Literary Fellowship, 2005 PEN USA Literary Award for Fiction, and the 2006 Whiting Writers Award. "A new work of obsession, tragedy, and the unpredictable trajectories of the heart."(Cristina Garcia, author of Dreaming in Cuban) A powerful testament about the far-reaching effects of political brutality and lost love, Draining the Sea sifts through the incongruities of history and memory, unfurling inside the mind of a man who spends his days driving the streets of Los Angeles, racked by visions of the Guatemalan Civil War and, in particular, of Marta--a beautiful young prostitute who died violently in the midst of it. Unfortunately, her death is a tragedy in which he himself may have played a role.

Handcuffs, paddles, whips—the words alone are enough to make a person blush. Even by our society’s standards, the practice of things like BDSM is still very hush-hush, considered deviant sexual behavior that must be kept hidden. But the narrow view of what is thought of as “normal” sex—a vanilla act performed by one man and one woman—is more and more contested these days. And as Julie Peakman reveals, normal never really existed; for everyone, different kinds of sex have always offered myriad pleasures, and almost all sexual behaviors have traveled between acceptance and proscription. The Pleasure’s All Mine examines two millennia of letters, diaries, court records, erotic books, medical texts, and more to explore the gamut of “deviant” sexual activity. Delving into the specialized cultures of pain, necrophilia, and bestiality and the social world of plushies, furries, and life-size sex dolls, Peakman considers the changing attitudes toward these, as well as masturbation, “golden showers,” sadomasochism, homosexuals, transvestites, and transsexuals. She follows the history of each behavior through its original reception to its interpretation by sexologists and how it is viewed today, showing how previously acceptable behaviors now provoke social outrage, or vice versa. In addition, she questions why people have been and remain intolerant of other people’s sexual preferences. The first comprehensive history of sexual perversion and packed with both color and black and white images, The Pleasure’s All Mine is a fascinating and sometimes shocking look at the evolution of our views on sex.

Twelve visions of living in a climate-changed world. We are living in the Anthropocene—an era of dramatic and violent climate change featuring warming oceans, melting icecaps, extreme weather events, habitat loss, species extinction, and more. What will life be like in a climate-changed world? In Tomorrow’s Parties, science fiction authors speculate how we might be able to live and even thrive through the advancing Anthropocene. In ten original stories by writers from around the world, an interview with celebrated writer Kim Stanley Robinson, and a series of intricate and elegant artworks by Sean Bodley, Tomorrow’s Parties takes rational optimism as a moral imperative, or at least a pragmatic alternative to despair. In these stories—by writers from the United Kingdom, the United States, Nigeria, China, Bangladesh, and Australia—a young man steals from delivery drones; a political community lives on an island made of ocean-borne plastic waste; and a climate change denier tries to unmask “crisis actors.” Climate-changed life also has its pleasures and epiphanies, as when a father in Africa works to make his son’s dreams of “Viking adventure” a reality, and an IT professional dispatched to a distant village encounters a marvelous predigital fungal network. Contributors include Pascall Prize for Criticism winner James Bradley, Hugo Award winners Greg Egan and Sarah Gailey, Philip K Dick Award winner Meg Elison, and New York Times bestselling author Daryl Gregory.