A mariner inherits a skull that screams incessantly along with the roar of the sea; a phantom hare stalks the moors to deliver justice for a crime long dead; a man witnesses a murder in the Cornish woods, only to wonder whether it was he himself who committed the crime. Offering a bounty of lost or forgotten strange and Gothic tales set in Cornwall, Cornish Horrors explores the rich folklore and traditions of the county in a journey through mines, local mythology, shipwrecks, seascapes, and the coming of the railway and tourism. With tales by horror luminaries such as Bram Stoker, Poe, and Mary Elizabeth Braddon, this edition also features a host of underappreciated writers such as F. Tennyson Jesse and Margery Williams - said to be a strong influence on Lovecraft's writing.

Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.

Who is a Sherlockian? And how does one join the ranks of Sherlockians? In "About Being a Sherlockian," sixty essays explore what it is to be a Sherlockian and celebrate the enduring friendships created. From collecting to chronology, from cosplay to cons, from quasi-historical interpretations to pastiches and fan-fiction, the umbrella of Being a Sherlockian covers a myriad of interests and enthusiasms. Editor Christopher Redmond says: "Perhaps most of the readers will be those who are already Sherlockians, but if the book should fall into the hands of someone who is not, I think it will give a very appealing picture of the endless riches to be found in What It Is We Do." "Dip a toe, or even a whole foot into the world of Sherlockian fervor with this extraordinary book which illuminates the life-changing benefits of deep involvement with Holmes, Watson and their world. Les Klinger made me 'come out' as a Sherlockian and my world is richer for it, as it is for the candid writers of this wonderful and surprising collection of essays." —Bonnie MacBird, author of "Art in the Blood" and "Unquiet Spirits"

Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from subtle and poetic to graphic and gory, but what links them together is their ability to frighten, disturb, shock, provoke, delight, irritate, and amuse audiences. Horror’s capacity to take the form of our evolving fears and anxieties has ensured not only its notoriety but also its long-term survival and international popularity. This second edition has been comprehensively updated to capture all that is important and exciting about the horror genre as it exists today. Its new entries feature the creative personalities who have developed innovative forms of horror, and recent major films and cycles of films that ensure horror’s continuing popularity and significance. In addition, many of the other entries have been expanded to include reference to the contemporary scene, giving a clear picture of how horror cinema is constantly renewing and transforming itself. The Historical Dictionary of Horror Cinema traces the development of the genre from its beginnings to the present. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. The entries cover all major movie villains, including Frankenstein and his monsters, the vampire, the werewolf, the mummy, the zombie, the ghost and the serial killer; film directors, producers, writers, actors, cinematographers, make-up artists, special-effects technicians, and composers who have helped shape horror history; significant production companies; major films that are milestones in the development of the horror genre; and different national traditions in horror cinema – as well as popular themes, formats, conventions, and cycles.

Collects Doyle's short stories that star Sherlock Holmes, each of which is annotated to provide literary and cultural details about Victorian society, and also includes biographies of Holmes, Dr. Watson, and the author himself.