"Coptic Monasteries takes the reader on a tour of the best preserved and most significant of Egypt's ancient religious centers, documenting the richness and the glory of this country's Coptic heritage." "An informative introduction by Tim Vivian brings to life the early Christian era, with background information on the origins of the Coptic Church as well as its rites and ceremonies, sketches of some of monasticism's founding figures, and accounts of some of the difficulties they faced, from religious schism to nomadic attacks." "Gawdat Gabra's expert commentary, complemented by almost one hundred full-color photographs of wall paintings and architectural features, covers monasteries from Aswan to Wadi al-Natrun. Ranging across a thousand years of history, Gabra's observations will make any reader an expert on the composition and content of some of Egypt's most outstanding religious art and the salient architectural features of each monastery, as well as the ongoing process of restoration that has returned much of their original vibrancy to some of these works."--Jacket.

This landmark, interdisciplinary publication of the Red Monastery church, the most important Christian monument in Egypt's Nile Valley, highlights its remarkable and newly conserved paintings and architectural sculpture.

"The history of their name is a reminder that this part of the world was at the center of an unusually extensive intermixing of populations and regions. The term "Copt" is an alteration of the Greek Aigyptios (Egyptian), which became qibt in Arabic, and gradually came to designate exclusively the community that remained faithful to Christianity in spite of the expansion of Islam.".

The book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong. In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century.

John of Barullos (540-615) / Bishop Kyrillos -- The Relationship between the Monks of Northern Egypt and the patriarchs of the Egyptian church / David Brakke -- Saint Mina monastery in Arabic sources / Sherin Sadek El Gendi -- The Bashmurite revolts in the Delta and the 'Bashmuric dialect,' Frank Feder -- Toward the localization of the Hennaton monastic complex, Mary Ghattas -- The Pachomian federation and lower Egypt : the ties that bind / James E. Goehring -- The relations between the coptic church and the Armenian church from the time of Muhammad Ali to the present (1805-2015) / Mary Kupelian -- Saint Barsoum the naked and his veneration at al-Ma'sara (Deir Shahran) / Bishop Martyros -- The traditions of the holy family and the development of Christianity in the Nile Delta / Ashraf Alexandre Sadek -- Anba Ruways and the cathedral of Saint Mark / Adel F. Sadek -- The perception of St. Athanasius of Alexandria in later coptic literature / Ibrahim Saweros -- The discovery of papyri from Turah at Dayr al-Qusayr (Dayr Arsaniyus) and its legacy / Caroline T. Schroeder -- Nitria / Mark Sheridan -- Yuhanna al-Samannudi, the founder of national coptic philology in the Middle Ages / Adel Sidarus -- The Arabic version of the Miracles of Apa Mena Based on two unpublished manuscripts in the collection of the St. Shenouda the Archimandrite coptic society in Los Angeles / Hany N. Takla -- Life of Pope Cyril VI (Kyrillos VI) / Teddawos Ava Mina and Youhanna Nessim Youssef -- The veneration of Anba Hadid and the Nile Delta in the thirteenth century / Asuka Tsuji -- Kellia and monastic epigraphy / Jacques van der Vliet -- Butrus al-Sadamanti al-Armani (Peter of Sadamant "the Armenian") / Fr. Awad Wadi -- Julius of Aqfahs : the martyrdom of John and Simon / Youhanna Nessim Youssef -- The Bohairic Acts of the Martyrs acts as a genre of religious discourse / Ewa D. Zakrzewska -- Remnants of a Byzantine church at Athribis / Tomasz Górecki -- Architecture in Kellia / Gisèle Hadji-Minaglou -- Kellia : its decoration in painting and stucco / Karel C. Innemée -- Highlights from the polish excavations at Marea/Philoxenite 2000-14 / Krzysztof Babraj and Daria Tarara -- Conservation of mural paintings in the coptic museum / Michael Jones.

The White Monastery in Upper Egypt and its two federated communities are among the largest, most prosperous and longest-lived loci of Coptic Christianity. Founded in the fourth century and best known for its zealous and prolific third abbot, Shenoute of Atripe, these monasteries have survived from their foundation in the golden age of Egyptian Christianity until today. At its peak in the fifth to the eighth centuries, the White Monastery federation was a hive of industry, densely populated and prosperous. It was a vibrant community that engaged with extra-mural communities by means of intellectual, spiritual and economic exchange. It was an important landowner and a powerhouse of the regional economy. It was a spiritual beacon imbued with the presence of some of Christendom's most famous saints, and it was home to a number of ordinary and extraordinary men and women, who lived, worked, prayed and died within its walls. This new study is an attempt to write the biography of the White Monastery federation, to reconstruct its longue duree - through archaeological and textual sources - and to assess its place within the world of Late Antiquity.