Let the fireworks begin. . . Now that she's been accepted into a summer enrichment program in New York City, Gia knows she's going to have the flyest summer ever. Especially since her mom and her annoying stepsister won't be around. And best of all? Her best friend, Ricky, is joining her so they're going to spend the entire summer together. Gia hopes Ricky's finally going to make a move on her, but it seems like Ricky's bent on playing it safe--too safe, as far as Gia's concerned. So when Rashad, a cutie from the summer program, starts to get his flirt on with Gia, she's got a new crush--and Ricky's so not cool with that. "Gia makes me want to holler out loud--she knows how to think for herself and she definitely has enough drama to fill a thousand pages!" --Michelle Stimpson, Essence© bestselling author on the So For Real series "Nikki Carter is a fresh, new voice." ? ReShonda Tate Billingsley, Essence? bestselling author

Did your dad used to be cool? Wondering what happened to his rock band playing, skateboarding days? This funny and relatable story shows children how their parents are still cool after all, even if it's not in quite the same way!Parents and children will both enjoy engaging with this book, presented in Negley's unique style where words are minimal and the emotive illustrations really carry the story along.

One night, when Ethan reaches under his bed for a toy truck, he finds this note instead: "Monsters! Meet here for final test." Ethan is sure his parents are trying to trick him into staying under the covers, until he sees five colorful sets of eyes blinking at him from beneath the bed. Soon, a colorful parade of quirky, squeaky little monsters compete to become Ethan's monster. But only the little green monster, Gabe, has the perfect blend of stomach-rumbling and snorting needed to get Ethan into bed and keep him there so he falls asleep—which as everyone knows, is the real reason for monsters under beds. With its perfect balance of giggles and shivers, this silly-spooky prequel to the award-winning I Need My Monster and Hey, That's MY Monster! will keep young readers entertained.

"Film expert Jason Bailey explores Quentin Tarantino's PULP FICTION in a comprehensive book illustrated throughout with original art inspired by the film and including sidebars and special features on everything from casting close calls to deleted scenes. Bailey discusses how the film was revolutionary, examines its director's influences, illuminates its pop culture references, and describes its phenomenal legacy"--

An encyclopedic reference for guitarists, written by the editors of the world's most respected guitar magazine, offers valuable information for improving their playing and features exclusive interviews with masters such as Chet Atkins, Duane Allman, Jimi Hendrix, Frank Zappa, and more. Original.

Death isn’t a big deal in the virtual world of online gaming, but after poking her nose where it doesn’t belong, Dakota Marx finds herself running for her life―and reality doesn’t come with a respawn. At twenty-two, she’s still slinging coffee at an Amazon Cafe despite having a degree in programming. It’s not because she’s unlucky, unmotivated, or even that she fancies herself an underground activist crusading against evil corporations… hunting for a ‘real’ job would take time away from her game. Axillon99 is the world’s most popular multiplayer online experience, with a universe containing billions of planets to explore. Ever since video games broke the screen barrier, plunging players fully into their characters, reality just can’t compete. Cognition Systems International announces a ten million dollar prize to celebrate the release of the next generation Neurona 4 interface helmet. After her crew decides to try chasing the money, Dakota discovers a sinister intent behind the new technology. Going public threatens the lives of her friends, but keeping CSI’s secret could destroy the very fabric of society.

From jazz music to wearing sunglasses indoors, “cool” has always been the ultimate social label. The craving for this acceptance has powered popular culture for the last hundred years. Fashion, music, cars, pop idols, attitudes, and even some schools and parents, have been labeled Cool. But by whom? The truth is: no one in particular. And then there is the whimsical nature of being Cool: The arbiters of taste and style are so eager to pronounce something Cool, that something immediately becomes uncool as the masses rush to adopt it, in order to be Cool first. Something or someone can be so “In” they quickly become “So Five Minutes Ago” before spiraling downward to “Out.” And then, like nerds and bell-bottoms, something can be so “Out”, it's “In.” (That's cool.) Taylor details the history of Cool, spotlighting its current manifestations. She charts the evolution of Cool from the sidewalks to the boardrooms, separating who creates cool from who merely markets it.