When Treasure helps Berry make cookies for Pumpkin's dance show by shaking magic sprinkles over them, the cookies spring to life and threaten to disrupt the show.

The “after-hours club” is a fixture of the African American ghetto. It is a semisecret, unlicensed “spot” where “regulars” and “tourists” mingle with “hustlers” to buy and use drugs long after regular bars are closed and the party has ended for the “squares.” After-hours clubs are found in most cities, but for people outside of their particular milieu, they are formidably difficult to identify and even more difficult to access. The sociologist Terry Williams returns to the cocaine culture of Harlem in the 1980s and ’90s with an ethnographic account of a club he calls Le Boogie Woogie. He explores the life of a cast of characters that includes regulars and bar workers, dealers and hustlers, following social interaction around the club’s active bar, with its colorful staff and owner and the “sniffers” who patronize it. In so doing, Williams delves into the world of after-hours clubs, exploring their longstanding function in the African American community as neighborhood institutions and places of autonomy for people whom mainstream society grants few spaces of freedom. He contrasts Le Boogie Woogie, which he visited in the 1990s, with a Lower East Side club, dubbed Murphy’s Bar, twenty years later to show how “cool” remains essential to those outside the margins of society even as what it means to be “cool” changes. Le Boogie Woogie is an exceptional ethnographic portrait of an underground culture and its place within a changing city.

Emerging in the 1920s, the Japanese pop scene gained a devoted following, and the soundscape of the next four decades became the audible symbol of changing times. In the first English-language history of this Japanese industry, Hiromu Nagahara connects the rise of mass entertainment with Japan’s transformation into a postwar middle-class society.

Author-illustrator C. G. Esperanza delivers a celebratory ode to graffiti and the Boogie Down Bronx through an infectious read-aloud beat and colorful illustrations that leap right off the page! Perfect for fans of Crown: An Ode to the Fresh Cut and Keith Haring. An NPR Best Book of the Year, ALSC Notable Children's Book of the Year, Odyssey Award winner, Pura Belpré Honor Award winner, New York City Book Award winner, and Audie Award finalist! The city is alive with vibrant art in every corner of the parks, the shops, the trains. But most people are too busy to see it—or worse, choose to ignore it! When three children stop to marvel at the art around their community, they realize it’s up to them to show everyone else how truly special it is when art and reality dance together so seamlessly. Boogie boogie, y’all. The city boogied all day. Busy, busy, busy, Till one kid stopped to say, Woah, woah, woah! Look at the art on the wall!