This collection of seventeen interviews covers fifty years. Here the eminent author of The Power and the Glory, The Third Man, and The Heart of the Matter speaks of himself, his life, and his works. Though reluctant to be interviewed, especially by an academic or journalist he did not know, Greene was more at ease in an interview with a personal friend, who he felt would be less likely to misunderstand or misquote him. Yet even his good friend V. S. Pritchett spent considerable time trying to pin him down for his 1978 interview. When he finally did arrange an interview, Pritchett tells that Greene's "flat conspiratorial, laughing voice . . ., of itself, makes him the best company I've known in the last forty years". Other interviewers--included here are V. S. Naipaul and Penelope Gilliatt--shared Pritchett's opinion, but many found that he avoided idle conversation for fear that his words would be misconstrued. Greene's anxiety was not without foundation. In an interview with Michael Menshaw, Greene explained: "It's got so I hate to say who I am or what I believe...A few years ago I told an interviewer I'm a gnostic. The next day's newspaper announced that I had become an agnostic". After such incidents, Greene turned to the anecdote--relating an experience with Fidel Castro or with Papa Doc Duvalier--to communicate in interviews with strangers. Nevertheless, in all the interviews Greene granted over the years, the reader hears very clearly the voice of a man whose conversation is as painfully honest and unpretentious as is his written prose. The interviews here are divided chronologically into four periods, loosely related to his subject matter or to his reputation at the time of theinterview. Thus the reader sees the development of the writer from a callow but gifted young man into one of the foremost men of letters in the English-speaking world.

A master of twentieth century fiction, Graham Greene looks back on his life. This volume also includes several key interviews from throughout his long, fruitful career. Graham Greene led one of the most extraordinary lives of the twentieth century. The son of a Hertfordshire headmaster, he quickly discovered a love for writing, beginning a career that would last a lifetime. Greene's fascination with global politics took him around the world, to places that would become the settings for many of his most famous novels: Mexico (The Power and the Glory), Sierra Leone (The Heart of the Matter), and Haiti (The Comedians) - among dozens of other far-flung locations. He produced masterpieces throughout his life, many of which now stand as indisputably canonical: Brighton Rock, The End of the Affair, and The Quiet American to name but a few.

The British author shares the “strange . . . inner layers of his playful, guilty imagination” in this glimpse into a brilliant novelist’s subconscious (The New York Times). Culled from nearly eight hundred pages of the author’s “dream diaries” kept between 1965 and 1989, this singular journal reveals “the feverish inner life of an intensely private man, providing an uncanny mirror-image of [his] novelistic obsessions, insecurities, and moral preoccupations” (Publishers Weekly). In what Greene calls My Own World—as opposed to the Common World of shared reality—he accompanies Henry James on a disagreeable riverboat trip to Bogota, is caught in a guerilla crossfire with Evelyn Waugh and W. H. Auden, strolls in the Vatican garden with Pope John Paul II who’s doling out Perugina chocolates like hosts, offers refuge to a suicidal Charlie Chaplin, and stages a disastrous play in blank verse for Elizabeth Taylor and Richard Burton. He also shares his headspace with Goebbels, Castro, Cocteau, Queen Elizabeth, D. H. Lawrence, and talking kittens. And the landscape is just as wide: from Nazi Germany to Haiti to West Africa to Bethlehem 1 AD and to Sweden where he seeks treatment for leprosy. Greene is a criminal, spy, lover, assassin, witness, and writer. Encompassing life, death, war, feuds, and career, and alternately absurdist, frightening, funny, and revealing, these fertile imaginings—many of which found their way into Greene’s fiction—comprise nothing less than “an alternate autobiography . . . a uniquely candid self-portrait” of one of the giants of English literature (Kirkus Reviews).

Relates the story of the politically motivated kidnapping of Charlie Fortnum, a minor British functionary in Argentina.