Controversial Concordats offers an engaging survey of the relationship of the Roman Catholic Church with three dictatorial figures in the nineteenth and twentieth centuries: Napoleon, Mussolini, and Hitler.

Mahatma Gandhi once chided a Christian friend, "All you Christians, missionaries and all, must begin to live more like Jesus Christ." And what Christian among us would disagree with him? After the holy wars and witch-hunts, after persecutions and political machinations, there is a broad sense today that the Church, however well-meaning, is on the wrong side of history. But do we really know our history? In this collaboration with historian Arnold Angenendt, best-selling German author Manfred Lütz dares to show us what contemporary historians actually say about Christianity's track record over the ages. This detailed overview begins with the ancient pagans, passing through Israel, the early Church martyrs, Constantine's Rome, the reign of Charlemagne, the Crusades, the Inquisition, the Reformation, the Borgia popes, the Galileo affair, the conquistadores, the French Revolution, the slave trade, the Holocaust, the sex abuse crisis, and more. The Scandal of the Scandals separates myth from fact, giving us a candid portrait of Christendom with its scars and all. Prepare to be amazed at how little you really knew about Christianity.

This work not only examines Rome's reaction during the fascist period but delves into the broader historical development and the impact of theological anti-Judaism

Unprecedented changes appear to be occurring more often and more rapidly than ever before. We notice these changes and events more readily due to the advent of the information age and the continual technological innovation that has accompanied it. New methods of the manufacture and the dissemination of information expose us to crises in ways previously impossible. These crises often lead to the exposure of new ways of understanding. The lifting of veils allows us to see these crises more clearly. In turn, these epiphanies invite imaginative and creative responses. This volume interprets this situation in a new way—not just as an examination of what happens to us and the variety of crises we face, but the way in which we understand them. How do we produce new ways of thinking and discussing crises? What is the role of imagination in both the description of crisis and the response to it? How are we changed and how do we change our thinking and writing as a result? There are two sides of the veil, with crisis on one side and imagination on the other. The issue of lifting veils—of revelatory change—expresses the contributors’ interest in the intersection of and collaboration between different disciplines. As an interdisciplinary project, this book takes a new approach in discussing our current condition. Lifting the veil radically undoes the past, opens us to the future through change, and provides the possibility for vision and hope.

Winner of two Catholic Press Association Awards: Design and Production (Second Place) and History (Honorable Mention). The star of Bethlehem exemplifies the birth of Jesus, the Wittenberg Door is synonymous with the Protestant Reformation, and “the pill” symbolizes the sexual revolution. It’s “stuff” that helps tell the story of Christianity. In this unique, rich, and eye-catching book, popular Catholic author and EWTN host Mike Aquilina tells the Christian story through the examination of 100 objects and places. Some, like Michelangelo's Pietà, are priceless works of art. Others, like a union membership pen, don’t hold much monetary value. But through each of them, Aquilina offers a memorable and rewarding look at the history of the Church. When Catholics tell their story, they don’t just write it in books. They preserve it in memorials, monuments, artifacts, and museums. They build grand basilicas to house tiny relics. In this stunning book, Aquilina, together with his writer-daughter Grace, show how the history of the Church didn’t take place shrouded in the mists of time. It actually happened and continues to happen through things that we can see and sometimes hold in our hand. The Christian answer to Neil MacGregor's New York Times bestseller A History of the World in 100 Objects, Aquilina’s A History of the Church in 100 Objects introduces you to: The Cave of the Nativity (the importance of history, memory, and all things tangible) Catacomb niches (the importance of Rome, bones, and relics of the faith) Ancient Map of the World (the undoing of myths about medieval science) Stained Glass (representative of Gothic cathedrals) The Holy Grail (Romance literature and the emergence of writing for the laity) Loaves and fish (a link from Jesus to the sacrament of the Eucharist) The Wittenberg Door (Martin Luther and the onset of the Reformation) Each of these and the 93 other items and places in the book tell part of the Christian story. Each is an essential piece of the story of our salvation. God makes himself known and accessible through material things, always accommodating himself to our condition. It is, after all, the condition he created for us—spiritual and material—and the form he assumed for our salvation.

New York Times Bestseller: A “deeply researched” exposé of the money and the clerics-turned-financiers at the heart of the Vatican (Chicago Tribune). From a master chronicler of legal and financial misconduct, a magnificent investigation nine years in the making, God’s Bankers traces the political intrigue of the Catholic Church in “a meticulous work that cracks wide open the Vatican’s legendary, enabling secrecy” (Kirkus Reviews). Decidedly not about faith, belief in God, or religious doctrine, this book is about the church’s accumulation of wealth and its byzantine financial entanglements across the world. Telling the story through two hundred years of prelates, bishops, cardinals, and the popes who oversee it all, Gerald Posner uncovers an eyebrow-raising account of money and power in one of the world’s most influential organizations. God’s Bankers is a revelatory and astounding saga marked by poisoned business titans, murdered prosecutors, and mysterious deaths written off as suicides; a carnival of characters from popes and cardinals to financiers and mobsters to kings and prime ministers; and a set of moral and political circumstances that not only clarify the church’s aims and ambitions, but reflect the larger tensions of more recent history. Posner also assesses Pope Francis’s potential to overcome the resistance to change in the Vatican’s Machiavellian inner court and rein in the excesses of its seemingly uncontrollable financial quagmire. “As exciting as a mystery thriller” (Providence Journal), this book reveals with extraordinary precision how the Vatican has evolved from a foundation of faith to a corporation of extreme wealth and power. “Reads like a sprawling novel, full of complex characters and surprising twists. . . . Readers interested in issues involving religion and international finance will find Posner’s work a compelling read.” —Library Journal “An extraordinarily intricate tale of intrigue, corruption and organized criminality. . . . Posner’s gifts as a reporter and storyteller are most vividly displayed in a series of lurid chapters on the American archbishop Paul Marcinkus, the arch-Machiavellian who ran the Vatican Bank from 1971-1989.” —The New York Times Book Review