Examining Malory's political language, this study offers a revisionary view of Arthur's kingship in the Morte Darthur and the role of the Round Table fellowship. Considering a range of historical and political sources, Lexton suggests that Malory used a specific lexicon to engage with contemporary problems of kingship and rule.

An examination of the rubricated letters in the Morte makes a convincing case for the design being by Malory himself. The red-ink names that decorate the Winchester manuscript of Malory's Morte Darthur are striking; yet until now, no-one has asked why the rubrication exists. This book explores the uniqueness and thematic significance of the physical layout of the Morte in its manuscript context, arguing that the layout suggests, and the correlations between manuscript design and narrative theme confirm, that the striking arrangement is likely to have been the product of authorial design rather than something unusual dreamed up by patron, scribe, reader, or printer. The introduction offers a thorough account of not only the textual tradition of the Morte, but also the ways in which scholarship to date has not done enough with the manuscript contexts of Malory's Arthuriad. The book then goes on to establish the singularity and likely provenance of Winchester's rubrication of names. In the second half of the study the author elucidates the narrative significance of this rubrication pattern, outlining striking connections between manuscript layout and major narrative events, characters, and themes. He suggests that the manuscript mise-en-page underscores Malory's interest in human character and knighthood, creating a memorializing function similar to the many inscribed tombs that dominate the landscape of the Morte's narrative pages. Inshort, Winchester's design creates a memorializing tomb for Arthurian chivalry. K.S. WHETTER is Professor of English at Acadia University, Canada.

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Set against the framework of modern political concerns, Treason: Medieval and Early Modern Adultery, Betrayal, and Shame considers the various forms of treachery in a variety of sources, including literature, historical chronicles, and material culture creating a complex portrait of the development of this high crime.

How Sir Tristram jousted, and smote down King Arthur, because he told him not the cause why he bare that shield.And if so be ye can descrive what ye bear, ye are worthy to bear the arms. As for that, said Sir Tristram, I will answer you; this shield was given me, not desired, of Queen Morgan le Fay; and as for me, I can not descrive these arms, for it is no point of my charge, and yet I trust to God to bear them with worship. Truly, said King Arthur, ye ought not to bear none arms but if ye wist what ye bear: but I pray you tell me your name. To what intent? said Sir Tristram. For I would wit, said Arthur. Sir, ye shall not wit as at this time. Then shall ye and I do battle together, said King Arthur. Why, said Sir Tristram, will ye do battle with me but if I tell you my name? and that little needeth you an ye were a man of worship, for ye have seen me this day have had great travail, and therefore ye are a villainous knight to ask battle of me, considering my great travail; howbeit I will not fail you, and have ye no doubt that I fear not you; though you think you have me at a great advantage yet shall I right well endure you. And there withal King Arthur dressed his shield and his spear, and Sir Tristram against him, and they came so eagerly together. And there King Arthur brake his spear all to pieces upon Sir Tristram's shield. But Sir Tristram hit Arthur again, that horse and man fell to the earth. And there was King Arthur wounded on the left side, a great wound and a perilous.

A comprehensive survey of one of the most important texts of the Middle Ages.