A unique collaboration between leading poets and scientists, Contemporary Poetry and Contemporary Science demonstrates through its form, and through practice as well as reflection, that poetry and science can meet with productive results. Crossing between disciplines, and between prose and verse, the book shows how modes of scientific knowledge and of poetic making continue to be intertwined. Often drawing on Scottish intellectual traditions, rather than on the notorious 'two cultures' argument, Contemporary Poetry and Contemporary Science argues through examples for a more open and mutually sympathetic engagement of poetry and science in contemporary culture. Provocative, nimble, and surprising, this book is in several senses a crossover volume. In its gathering of essays as well as poems, it is the first book of its kind. Readers can see how a poet and a solar physicist may share working assumptions; how poetic insight may inform psychiatric practice; how a poet's encounter with an MRI scanner leads to a fresh neurological experiment. As well as new essays by internationally distinguished poets, scientists, and literary critics including Simon Armitage, Gillian Beer, Jocelyn Bell Burnell, Miroslav Holub, Kay Redfield Jamison, and Edwin Morgan, the book includes a series of specially commissioned poems by John Burnside, Michael Donaghy, Sarah Maguire, Paul Muldoon, Don Paterson, and others. Each poem is introduced by the scientist whose work prompted the poem. Though Contemporary Poetry and Contemporary Science exposes and investigates strains between the way poets and scientists see and reinvent the world, the book is most arresting and enjoyable when it shows just how often poets and scientists agree.

Leading experts on modern poetry and on literature and science explore how poets have used scientific language in their poems, how poetry can offer new perspectives on science, and how the 'Two Cultures' can and have come together in the work of poets from Britain and Ireland, America and Australia.

A collaboration between leading poets and scientists, this title shows through its form, and through practice, as well as reflection, that poetry and science can meet with productive results. It also shows how modes of scientific knowledge and of poetic making continue to be intertwined.

Guido Mazzoni tells the story of poetry's revolution in the modern age. The chief transformation was the rise of the lyric as it is now conceived: a genre in which a first-person speaker talks about itself. Mazzoni argues that modern poetry embodies the age of the individual and has wrought profound changes in the expectations of readers.

Focussing on the significance of sensation, this study develops a Deleuzian poetics of reading, through an examination of contemporary innovative poetry.

Selected and introduced by Richard Dawkins, The Oxford Book of Modern Science Writing is a celebration of the finest writing by scientists for a wider audience - revealing that many of the best scientists have displayed as much imagination and skill with the pen as they have in the laboratory.This is a rich and vibrant collection that captures the poetry and excitement of communicating scientific understanding and scientific effort from 1900 to the present day. Professor Dawkins has included writing from a diverse range of scientists, some of whom need no introduction, and some of whoseworks have become modern classics, while others may be less familiar - but all convey the passion of great scientists writing about their science.

Over the last thirty years, more and more critics and scholars have come to recognize the significant influence of science on literature. This collection of essays focuses specifically on what poets in the twentieth and twenty-first centuries have made of modern scientific developments. In these twelve essays, leading experts on modern poetry, literature, and science explore how poets have used scientific language in their poems, how poetry can offer new perspectives on science, and how the two cultures can and have come together in the work of poets from Britain, Ireland, America, and Australia.