Combining cultural theory, discourse analysis and new historicism with readings of the works of major contemporary authors, this study concludes that "the Jew" is characterized unstereotypically as the embodiment of uncertainty within English literature and society.

Literary critics and cultural historians have for too long written the question of race out of mainstream accounts of English literature. In Constructions of "the Jew" in English Literature and Society Bryan Cheyette combines cultural theory, discourse analysis and new historicism with close readings of works by Arnold, Trollope and George Eliot, Buchan and Kipling, Shaw and Wells, Belloc and Chesterton, T. S. Eliot and Joyce to argue that the Jew lies at the heart of modern English literature and society: not as a stereotype, but as the embodiment of confusion and indeterminacy.

In addition, the collection demonstrates that although Lawrence has been misread as sexist, Lawrence studies has continued to attract women scholars."--BOOK JACKET.

Like many Jews of our generation, Jon Stratton grew up in a family more concerned about assimilation than about preserving Jewish tradition. While he could easily 'pass' among non-Jews, he found himself increasingly torn between his fear of not belonging and a deeply-felt commitment to his family's past. Coming Out Jewish examines the unique challenge of constructing an identity amid the clash between ethnicity and conformity. For many Jews, the idea of full assimilation ended with the Holocaust. But the pressure to adapt to the mainstream, Stratton eloquently argues, remains powerful, especially for those with anglicized names, assimilationist parents, a history of recent immigration, or ambivalent experiences of themselves as Jews. With reference to the work of Daniel Boyarin, Ien Ang, and Homi Bhabha, among others, Stratton offers fresh analysis on a wide range of topics, including the Jewish origins of pluralism in the US, anti-Semitism in Germany, the Jewishness of sitcoms like Seinfeld, and the Yiddishization of American culture since World War II. More than a book about Jews and Jewishness, Coming Out Jewish smartly and accurately mines the Jewish experience in the West to give voice to the issues of migration, Diaspora, assimilation and identity that affect those, displaced and 'othered', around the world.

In the wake of the devastating WWI, three Jews headed the most valuable territory in the British Empire in addition to a strategically important new addition. Edwin Montagu held the position of Secretary of State for India, Rufus Isaacs (Lord Reading) was the newly appointed Viceroy of India, and Herbert Samuel arrived in Jerusalem as the first High Commissioner of Palestine. Their appointments came at a time of great upheaval as Indian nationalists clamoured for independence, pan-Islamists fought to keep the defeated Ottoman Empire intact and the sultan in Constantinople, and Zionists sought to build on the wartime promise by the British government to create a Jewish homeland in Palestine in face of opposition by Palestinians and pan-Islamists. The task of tackling these issues was made all the more difficult by accusations that Jews were not loyal to the British Empire and its goals, a view promoted by the appearance of the antisemitic Protocols of the Elders of Zion in English translation. This book follows this web of divisive imperial politics, and nationalist and pan-Islamist aspirations in India and Palestine, through the lives and work of these three men whose efforts were coloured by the post-war fear of a declining empire that was being corroded from within.

This book examines the depiction of Jews and Jewishness in modern English law, revealing the role of racial and religious understandings in legal decision-making. It challenges both assumptions about tolerance and neutrality in English law and any simple narrative of anti-Semitism, charting the ambivalent status of Jewish identity in the law.

Examines the embedding of Jewish history and culture in depictions of English racial and national identity in nineteenth-century novels.