Constructing the Canon of Early Modern Drama

Constructing the Canon of Early Modern Drama
Title Constructing the Canon of Early Modern Drama PDF eBook
Author Jeremy Lopez
Publisher Cambridge University Press
Pages 245
Release 2014-01-16
Genre Drama
ISBN 1107030579

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Through short, provocative readings of unfamiliar plays, this book provides the first ever history of the canon of Renaissance drama.

Constructing the Canon of Early Modern Drama

Constructing the Canon of Early Modern Drama
Title Constructing the Canon of Early Modern Drama PDF eBook
Author Jeremy Lopez
Publisher
Pages 246
Release 2014-05-28
Genre
ISBN 9781107723795

Download Constructing the Canon of Early Modern Drama Book in PDF, Epub and Kindle

Through short, provocative readings of unfamiliar plays, this book provides the first-ever history of the canon of Renaissance drama.

New Directions in Early Modern English Drama

New Directions in Early Modern English Drama
Title New Directions in Early Modern English Drama PDF eBook
Author Aidan Norrie
Publisher Walter de Gruyter GmbH & Co KG
Pages 253
Release 2020-07-06
Genre Drama
ISBN 1501514024

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This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.

Editors Construct the Renaissance Canon, 1825-1915

Editors Construct the Renaissance Canon, 1825-1915
Title Editors Construct the Renaissance Canon, 1825-1915 PDF eBook
Author Paul Salzman
Publisher Springer
Pages 172
Release 2018-05-03
Genre Literary Criticism
ISBN 3319779028

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This book argues that nineteenth-century editors created the modern idea of English Renaissance literature. The book analyses the theories and practices of editors who worked on Shakespeare, but also on complete editions of a remarkable range of early modern writers, from the early nineteenth century through to the early twentieth century. It reassesses the point at which purportedly more scientific theories of editing began the process of obscuring the work of these earlier editors. In recreating this largely ignored history, this book also addresses the current interest in the theory and practice of editing as it relates to new approaches to early modern writing, and to literary and book history, and the material conditions of the transmission of texts. Through a series of case studies, the book explores the way individual editors dealt with Renaissance literature and with changing ideas of how texts and their contexts might be represented.

The Arden Handbook of Shakespeare and Early Modern Drama

The Arden Handbook of Shakespeare and Early Modern Drama
Title The Arden Handbook of Shakespeare and Early Modern Drama PDF eBook
Author Michelle M. Dowd
Publisher Bloomsbury Publishing
Pages 409
Release 2022-12-15
Genre Literary Criticism
ISBN 1350161861

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How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways? Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical narratives about early modern drama. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in disability and trans studies, as well as contemporary performance. Running through the collection is a shared focus on contemporary concerns, with contributors exploring how race, religion, environment, gender and sexuality animate 16th- and 17th-century drama and, crucially, the questions we bring to our study, teaching and research of it. The volume includes a ground-breaking assessment of the chronology of early modern drama, a survey of resources and an annotated bibliography to assist researchers as they pursue their own avenues of inquiry. Combining original research with an account of the current state of play, The Arden Handbook of Shakespeare and Early Modern Drama will be an invaluable resource both for experienced scholars and for those beginning work in the field.

The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700

The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700
Title The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 PDF eBook
Author Elizabeth Scott-Baumann
Publisher Oxford University Press
Pages 897
Release 2023-01-14
Genre History
ISBN 0198860633

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The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 brings together new work by scholars across the globe, from some of the founding figures in early modern women's writing to those early in their careers and defining the field now. It investigates how and where women gained access to education, how they developed their literary voice through varied genres including poetry, drama, and letters, and how women cultivated domestic and technical forms of knowledge from recipes and needlework to medicines and secret codes. Chapters investigate the ways in which women's writing was an integral part of the intellectual culture of the period, engaging with male writers and traditions, while also revealing the ways in which women's lives and writings were often distinctly different, from women prophetesses to queens, widows, and servants. It explores the intersections of women writing in English with those writing in French, Spanish, Latin, and Greek, in Europe and in New England, and argues for an archipelagic understanding of women's writing in Scotland, Wales, Ireland, and England. Finally, it reflects on--and challenges--the methodologies which have developed in, and with, the field: book and manuscript history, editing, digital analysis, premodern critical race studies, network theory, queer theory, and feminist theory. The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 captures the most innovative work on early modern women's writing in English at present.

Theatrical Convention and Audience Response in Early Modern Drama

Theatrical Convention and Audience Response in Early Modern Drama
Title Theatrical Convention and Audience Response in Early Modern Drama PDF eBook
Author Jeremy Lopez
Publisher Cambridge University Press
Pages 251
Release 2002-12-05
Genre Literary Criticism
ISBN 1139436678

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This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives.