The role of proprietorships or ‘private’ colonies in imperial development has not received the attention it deserves, notwithstanding recent scholarly emphasis on ‘state-building’. The continued use of these ‘private’ devices, even as early modern European nation-states grew more potent, is not only interesting, but is indeed normative though invariably missing from modern studies of empire. This collection provides in-depth analyses of the workings of the proprietorships themselves (rather than proprietary colonies) and in studies ranging from South Carolina to Nieuw Nederland to French West Africa to Brasil, broadens this discussion beyond British North America. Contributors include: Mickaël Augeron, Kenneth Banks, Sarah Barber, Philip Boucher, Olivier Caporossi, Leslie Choquette, David Dewar, Jaap Jacobs, Maxine N. Lurie, Debra A. Meyers, L.H. Roper, James O’Neil Spady, Bertrand Van Ruymbeke, Cécile Vidal, and Laurent Vidal.

These essays on early modern Atlantic empires provide the first comprehensive treatment of this important vehicle of imperial formation and colonial development.

Empires of Knowledge charts the emergence of different kinds of scientific networks – local and long-distance, informal and institutional, religious and secular – as one of the important phenomena of the early modern world. It seeks to answer questions about what role these networks played in making knowledge, how information traveled, how it was transformed by travel, and who the brokers of this world were. Bringing together an international group of historians of science and medicine, this book looks at the changing relationship between knowledge and community in the early modern period through case studies connecting Europe, Asia, the Ottoman Empire, and the Americas. It explores a landscape of understanding (and misunderstanding) nature through examinations of well-known intelligencers such as overseas missions, trading companies, and empires while incorporating more recent scholarship on the many less prominent go-betweens, such as translators and local experts, which made these networks of knowledge vibrant and truly global institutions. Empires of Knowledge is the perfect introduction to the global history of early modern science and medicine.

Building the Atlantic Empires explores the relationship between state recruitment of unfree labor and capitalist and imperial development. Contributors show Western European states as agents of capitalist expansion, imposing diverse forms of bondage on workers for infrastructural, plantation, and military labor. Extending the prolific literature on racial slavery, these essays help transcend imperial, colonial, geographic, and historiographic boundaries through comparative insights into multiple forms and ideologies of unfree labor as they evolved over the course of four centuries in the Dutch, French, English, Spanish, and Portuguese empires. The book raises new questions for scholars seeking connections between the history of servitude and slavery and the ways in which capitalism and imperialism transformed the Atlantic world and beyond. Contributors are: Pepijn Brandon, Rafael Chambouleyron, James Coltrain, John Donoghue, Karwan Fatah-Black, Elizabeth Heath, Evelyn P. Jennings, and Anna Suranyi. With a foreword by Peter Way.

Focusing on the Ming and Qing eras, this book analyses crucial moments in the formation of cultural, regional and religious identities. It demonstrates how the imperial discourse is many-faceted, rather than a monolithic agent of cultural assimilation.

The Early Modern World, 1450-1750: Seeds of Modernity takes a distinctive approach to global history and enables a holistic view of the world during this period,without prioritizing any one nation or region. It guides students towards an understanding of how different empires, nations, communities and individuals constructed, contested and were touched by major trends and events. Its thematic structure covers politics, technology, economics, the environment and intellectual and religious worldviews. In order to connect global trends and events to human experiences, each chapter is underpinned by a social and cultural history focus, enabling the reader to gain an understanding of the lived human experience and make sense of various perspectives and worldviews. The 'Legacy' feature also discusses connections between early modern history and the contemporary world, looking at how the past is contested or memorialized today. The result is a textbook that helps the 21st-century student gain a rich and nuanced understanding of the global history of the early modern period.

In the sixteenth and seventeenth centuries, German clockwork automata were collected, displayed, and given as gifts throughout the Holy Roman, Ottoman, and Mughal Empires. In Animating Empire, Jessica Keating recounts the lost history of six such objects and reveals the religious, social, and political meaning they held. The intricate gilt, silver, enameled, and bejeweled clockwork automata, almost exclusively crafted in the city of Augsburg, represented a variety of subjects in motion, from religious figures to animals. Their movements were driven by gears, wheels, and springs painstakingly assembled by clockmakers. Typically wound up and activated by someone in a position of power, these objects and the theological and political arguments they made were highly valued by German-speaking nobility. They were often given as gifts and as tribute payment, and they played remarkable roles in the Holy Roman Empire, particularly with regard to courtly notions about the important early modern issues of universal Christian monarchy, the Reformation, the Counter-Reformation, the encroachment of the Ottoman Empire, and global trade. Demonstrating how automata produced in the Holy Roman Empire spoke to a convergence of historical, religious, and political circumstances, Animating Empire is a fascinating analysis of the animation of inanimate matter in the early modern period. It will appeal especially to art historians and historians of early modern Europe. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.