Constanze, the wife of Wolfgang Amadé Mozart, was not the foolish and self-interested individual of popular opinion, much of which is based on the views of Mozart's father, who believed that his son had chosen an inappropriate partner. This strong-minded woman was, however, to be of critical support to her beloved husband. From a family of accomplished musicians, she was possessed of a fine voice and sang in public performances of a number of Mozart's works, both before and after his death. She bore him six children, of whom two survived childhood. Her business acumen was such that after his death she was largely responsible for keeping his music before the public, organising concerts, securing the accurate publication of many of his works, including the Requiem, and acquiring patronage from the aristocracy. Her second marriage to the Dane, Georg Nikolaus Nissen, continued a life story which is a rich example of self-sufficiency and competence in an era when a woman in business was a rarity. Importantly, this book restores the reputation of a woman much maligned by history. Revised edition

Om Constanze Mozarts (1762-1842) liv efter ægtefællen Wolfgang Amadeus Mozarts (1761-1826) død

Franz Xaver Niemetschek was born in 1766 in what is now the Czech Republic and came from a musical family, which gave him a deep appreciation and admiration for Mozart's genius. In 1798 he published his biography on Mozart, with a touching dedication to Haydn, the only one written by an eyewitness, and authorized by Mozart's widow Constanze. It is one of the earliest specimens of musical biography which, compared with other branches of biography, was still in its infancy even in the later part of the 19th century. In this sense, it is an important document of music history. However, this loving and intimate portrait of Mozart, based on documents, letters and other original sources, also conveys a vivid picture of the social and especially courtly life that formed the background of Mozart's sheer magical talents as composer and virtuoso.

Fifty years after the death of her husband, Wolfgang Amadeus Mozart, Constanze reflects on her long life.

This volume of essays on Wolfgang Amadeus Mozart reflects scholarly advances made over the last thirty years. The studies are broad and focused, demonstrating a large number of viewpoints, methodologies and orientations and the material spans a wide range of subject areas, including biography, vocal music, instrumental music and performance. Written by leading researchers from Europe and North America, these previously published articles and book chapters are representative of both the most frequently discussed and debated issues in Mozart studies and the challenging, exciting nature of Mozart scholarship in general. The volume is essential reading for researchers, students and scholars of Mozart's music.

The work Mozart Bibliographies is published to commemorate Wolfgang Amadeus Mozart's 250th birthday. 1,612 independent and hidden bibliographies as well as reference works on Mozart's life, his works and his family are recorded here with commentaries. It also covers non-independent bibliographies, catalogues of his works, exhibition catalogues, discographies and filmographies. With a few exceptions, all the entries are based on title autopsy. The bibliographies are divided into titles on Mozart's family, Constanze Mozart, Karl Mozart, Leopold Mozart, Maria Anna (Nannerl) Mozart, Wolfgang Amadeus Mozart and Wolfgang Amadeus d. J. (Franz Xaver Wolfgang) Mozart. The extensive material is indexed by names, titles and subject headings, providing varied insights and access.