This engaging book presents the lives of the Greek royal family between 1863 and 1974, during a period of turbulence, and shows both the benefits and disadvantages of the dynasty's close ties to the other royal houses of Europe.

" In short, this is a reference work of the best kind. For the beginner, it is indispensable. And for those who already know something about its subject matter, the book is in many ways useful, informative, and interesting. We all owe a debt to the author] for undertaking this significant project, and for completing it so well." - Michael Peachin, Classical World " . . . provides invaluable road maps for non-epigraphers faced with passages of inscribed Greek." - Graham Shipley, Bryn Mawr Classical Review Greek inscriptions form a valuable resource for the study of all aspects of the Greco-Roman world. They are primary witnesses to society's laws and institutions, religious habits, and language. This volume provides students with the tools to take advantage of the historical value of these treasures. It examines letter forms, ancient names, and ancient calendars, knowledge of which is essential in reading inscriptions of all kinds. B. H. McLean discusses the classification of inscriptions into their various categories and analyzes particular types of inscriptions, including decrees, honorary inscriptions, dedications, funerary inscriptions, and manumissions. Finally, McLean includes special topics that bear upon the interpretation of specific features of inscriptions, such as Greek and Roman administrative titles and functions.

In the early 1960s, Constantine Manos spent three years living in Greece and working as a photographer under the auspices of the prestigious agency Magnum Photos. A Greek Portfolio represents an impromptu pictorial account of Manos's travels through rural Greece and the Greek islands. The strength of these black-and-white duotone images, taken in small country villages and on secluded farms, lies in their portrayal of a way of life that had remained virtually unchanged for centuries before finally being overtaken by the modern world-a way of life that may strike viewers as at once humble and exalted in its quiet dignity and beauty. A Greek Portfolio was first published in 1972; the limited first edition has since become a much sought-after collector's item. Upon publication, the work received awards at Arles and at the Leipzig Book Fair. This new edition has been enhanced through the addition of eight previously unpublished images and a new foreword. A traveling exhibition of prints in this country will coincide with the publication of the new edition. There will also be a major exhibition at the Benaki Museum in Athens, Greece. Images from this work are in the permanent collections of the Museum of Modern Art in New York, the Art Institute of Chicago, and the Bibliotheque Nationale in Paris.

Constantine R. Campbell continues the work begun in his previous volume, Verbal Aspect, the Indicative Mood, and Narrative: Soundings in the Greek of the New Testament. In this book, he investigates the function of verbal aspect in non-indicative Greek verbs, which are of great significance for the translation and exegesis of Biblical texts. Campbell demonstrates that the model developed in his first volume provides strong power of explanation for the workings of non-indicative verbs, and challenges some of the conclusions reached by previous scholarship.

The emperor Constantine changed the world by making the Roman Empire Christian. Eusebius wrote his life and preserved his letters so that his policy would continue. This English translation is the first based on modern critical editions. Its Introduction and Commentary open up the many important issues the Life of Constantine raises.

This text was the first systematic study of what it meant to be 'Greek' in late antiquity and Byzantium, an identity that could alternatively become national, religious, philosophical, or cultural. Through close readings of the sources, Professor Kaldellis surveys the space that Hellenism occupied in each period; the broader debates in which it was caught up; and the historical causes of its successive transformations. The first section (100-400) shows how Romanisation and Christianisation led to the abandonment of Hellenism as a national label and its restriction to a negative religious sense and a positive, albeit rarefied, cultural one. The second (1000-1300) shows how Hellenism was revived in Byzantium and contributed to the evolution of its culture. The discussion looks closely at the reception of the classical tradition, which was the reason why Hellenism was always desirable and dangerous in Christian society, and presents a new model for understanding Byzantine civilisation.