Say hello to Constance, a sweet, grateful, good little girl--NOT! In fact, she’s a mischief-making, rule-breaking imp with a wicked gleam in her eye. Wherever she goes, trouble (and her enormous cat, Tiny) surely follow. That’s why children will go absolutely mad for her: Constance does exactly what they dream of doing in their naughtiest moments...and she’s never repentant. Making the delicious Constance stories even more fun: the comic contrast between the deadpan text and the outrageous illustrations. Like the cheeky character herself, the pictures always say the opposite of the words

In Constance and Tiny the irrepressible scamp ran away only to get dragged back home. Now her scheming parents are sending her off to a terrible, horrible place: a boarding school for wayward children! There, the rules are strict, the bathwater’s cold, and the food’s horrid. Worst of all, her beloved cat Tiny can’t come along. It’s just like prison! But canny Constance has a plan: Since only bad boys and girls can stay there, maybe if she pretends to be really good they’ll set her free...

An engaging read I could not put down. The resilience of the human spirit shines through every episode Constance so compellingly shares. - Mary Hickey Zander In this unflinching memoir, Constance Malloy delivers a gripping story of suffering and redemption. Tormented by a manipulative, narcissistic father and a loving but delusional mother, young Constance fights to be seen or become invisible, depending on the scenario she's forced to endure. From this unpredictable and emotionally unstable childhood, where her fears are amplified by incessant dreams of natural disaster and violence, to the challenges of her young adult life, Constance manages to keep moving forward with remarkable optimism and strength. Her commitment to therapy and her desire to get well turn the momentum of the narrative toward healing. For survivors of childhood trauma or any reader seeking to restore emotional health, Tornado Dreams is a captivating tale of survival, perseverance, and, ultimately, personal triumph.

Take silly seriously! A fall-off-your-high-chair funny picture book starring a spoon, a fork, and the baby they both want to feed, perfect for fans of The Bad Seed. “Time to feed the baby!” yells clock. Tiny Spoon is ready for the job! But who’s this pointy guy? “I’m Little Fork. I feed the baby, too!” Wait. What? This isn’t going to get ugly, is it? (Nah!) Who’s known baby longer? (Spoon) Who’s good at stabbing and poking? (Fork) Who comes from the best family? (Both families are rather impressive.) Who does baby like better? (Neither. Turns out Baby likes throwing both utensils across the kitchen, and that’s EXACTLY what baby does.) Now it's going to take cooperation—not competition—to make their way back to baby. And when they do get back they'll still have to feed the baby. Anyone who has ever tried to feed a baby knows it ain't easy—but does it have to be this hard?

A small village on the rocky coast of Maine one day finds itself shrouded in thick fog. The shivering villagers do not listen to the advice of a small girl and instead turn to the ageless baker, butcher, and candle maker for thier help in riding them of the fog. Only after the three have had no success in getting rid of the fog do the villagers listen to the little girl. This story underscores the importance of community and the joys of finding answers in the most unlikely places and forms.

A beautiful poem to help comfort those who have experienced the loss of a beloved pet.

A novel of lesbian identity and motherhood, and the societal pressures that place them in opposition. The daughter of an illustrious French family whose members include a former Prime Minister, a model, and a journalist, Constance Debré abandoned her marriage and legal career in 2015 to write full-time and begin a relationship with a woman. Her transformation from affluent career woman to broke single lesbian was chronicled in her 2018 novel Play boy, praised by Virginie Despentes for its writing that is at once “flippant and consumed by anxiety.” In Love Me Tender, Debré goes on to further describe the consequences of that life-changing decision. Her husband, Laurent, seeks to permanently separate her from their eight-year old child. Vilified in divorce court by her ex, she loses custody of her son and is allowed to see him only once every two weeks for a supervised hour. Deprived of her child, Debré gives up her two-bedroom apartment and bounces between borrowed apartments, hotel rooms, and a studio the size of a cell. She involves herself in brief affairs with numerous women who vary in age, body type, language, and lifestyle. But the closer she gets to them, the more distant she feels. Apart from cigarettes and sex, her life is completely ascetic: a regime of intense reading and writing, interrupted only by sleep and athletic swimming. She shuns any place where she might observe children, avoiding playgrounds and parks “as if they were cluster bombs ready to explode, riddling her body with pieces of shrapnel.” Writing graphically about sex, rupture, longing, and despair in the first person, Debré’s work is often compared with the punk-era writings of Guillaume Dustan and Herve Guibert, whose work she has championed. As she says of Guibert: “I love him because he says I and he’s a pornographer. That seems to be essential when you write. Otherwise you don’t say anything.” But in Love Me Tender, Debré speaks courageously of love in its many forms, reframing what it means to be a mother beyond conventional expectations.