Artists who work with new media generally adopt a critical media approach in contrast to artists who work with traditional art media. Where does the difference lie between media artists and artists who produce modern art? Which key art objects illustrate this trend? The author investigates the relationship between art and technology on the basis of work produced by Edward Ihnatowicz and Harald Cohen, and on the basis of the pioneering computer art exhibition at Dokumenta X in 1997. His line of argument counters the generally held view that computer art straddles the gap between art and technology. Instead, he is seeking a genuine interpretation of the origin of media art, and to develop new perspectives for it.

Artists who work with new media generally adopt a critical media approach in contrast to artists who work with traditional art media. Where does the difference lie between media artists and artists who produce modern art? Which key art objects illustrate this trend? The author investigates the relationship between art and technology on the basis of work produced by Edward Ihnatowicz and Harald Cohen, and on the basis of the pioneering computer art exhibition at Dokumenta X in 1997. His line of argument counters the generally held view that computer art straddles the gap between art and technology. Instead, he is seeking a genuine interpretation of the origin of media art, and to develop new perspectives for it.

Focusing on the draft resistance movement in Boston in 1967-68, this study argues that these acts of mass civil disobedience turned the tide in the antiwar movement by drawing the Johnson administration into a confrontation with activists who were largely young, middle-class, liberal, and from suburban backgrounds--the core of Johnson's constituency.

Shedding light on a misunderstood form of opposition to the Vietnam War, Michael Foley tells the story of draft resistance, the cutting edge of the antiwar movement at the height of the war's escalation. Unlike so-called draft dodgers, who left the country or manipulated deferments, draft resisters openly defied draft laws by burning or turning in their draft cards. Like civil rights activists before them, draft resisters invited prosecution and imprisonment. Focusing on Boston, one of the movement's most prominent centers, Foley reveals the crucial role of draft resisters in shifting antiwar sentiment from the margins of society to the center of American politics. Their actions inspired other draft-age men opposed to the war--especially college students--to reconsider their place of privilege in a draft system that offered them protections and sent disproportionate numbers of working-class and minority men to Vietnam. This recognition sparked the change of tactics from legal protest to mass civil disobedience, drawing the Johnson administration into a confrontation with activists who were largely suburban, liberal, young, and middle class--the core of Johnson's Democratic constituency. Examining the day-to-day struggle of antiwar organizing carried out by ordinary Americans at the local level, Foley argues for a more complex view of citizenship and patriotism during a time of war.

Examines how information technologies are affecting jobs, skills, wages, and the economy.

Julie Wosk examines the role of machines in helping women reconfigure and transform their lives. She takes her readers through a gallery of fiction and high and low art which depicts women in their association with machines.