Denna uppl. har nytt efterord av förf.

“Alice B. Toklas wrote hers and now everybody will write theirs.” In 1933 Gertrude Stein’s The Autobiography of Alice B. Toklas skyrocketed to the top of the bestseller lists, and the author found herself a celebrity. Everybody’s Autobiography is the very Steinian account of her soul-satisfying next five years in France, England, and America, where she made a triumphant tour of the country. Here are Stein’s devastating analyses of some of the major figures of the day whom she met—among them Dashiell Hammett, Charlie Chaplin, Pablo Picasso, Marianne Moore, Mrs. Roosevelt, and Sherwood Anderson—and also of her own life and work.

This book is the creative response (social action) of the need for an Africentric program that empowers African/Black Americans families and communities. It is based upon Africentric approaches that focus on the adaptive and defensive functioning of African/Black Families through its cultural infrastructure. In no way is this study designed to place blame or foster hatred. It is designed to be a cultural knowledge base that fosters a greater understanding of African/Black people through the philosophical and psychological tenets of C-FACT (Churches-Families-And Communities-Together).

Modern Swedish Prose in Translation was first published in 1979. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. These excerpts from Swedish prose works - mostly novels - reflect major shifts in mood and style in the 25 years since 1950. Editor Karl Erik Lagerlof traces cultural and political developments in Sweden from the post-World War II era, when writers felt themselves in a world devoid of political meaning and rejected realism as a literary mode, down to the intensely political years of the Vietnam era. The selections in this anthology range from the anti-ideological works of the postwar years to recent documentary methods influenced by Marxism, structuralism, and a renewed political consciousness.

A major new history of how democracy became the dominant political force in Europe in the second half of the twentieth century What happened in the years following World War II to create a democratic revolution in the western half of Europe? In Western Europe's Democratic Age, Martin Conway provides an innovative new account of how a stable, durable, and remarkably uniform model of parliamentary democracy emerged in Western Europe—and how this democratic ascendancy held fast until the latter decades of the twentieth century. Drawing on a wide range of sources, Conway describes how Western Europe's postwar democratic order was built by elite, intellectual, and popular forces. Much more than the consequence of the defeat of fascism and the rejection of Communism, this democratic order rested on universal male and female suffrage, but also on new forms of state authority and new political forces—primarily Christian and social democratic—that espoused democratic values. Above all, it gained the support of the people, for whom democracy provided a new model of citizenship that reflected the aspirations of a more prosperous society. This democratic order did not, however, endure. Its hierarchies of class, gender, and race, which initially gave it its strength, as well as the strains of decolonization and social change, led to an explosion of demands for greater democratic freedoms in the 1960s, and to the much more contested democratic politics of Europe in the late twentieth century. Western Europe's Democratic Age is a compelling history that sheds new light not only on the past of European democracy but also on the unresolved question of its future.

Gunnar Myrdal's An American Dilemma (1944) influenced the attitudes of a generation of Americans on the race issue and established Myrdal as a major critic of American politics and culture. Walter Jackson explores how the Swedish Social Democratic