When the owner of an antiques store is battered to death, Detective Sheehan thinks it’s just another murder. But when he discovers two keys hidden in an ornamental walking stick, he quickly becomes a target. Desperate to figure out what criminal enterprise the keys might reveal, Sheehan risks everything to protect them — until his wife Margaret is kidnapped. Events start looking less like coincidence when Sheehan is faced with the fact a mole has been influencing the investigation. Can Sheehan stop the mole and rescue Margaret before he has to hand over the keys?

Throughout the late nineteenth and early twentieth century, the US Congress engaged in bitter debates on whether to enact a federal law that would prosecute private citizens who lynched black Americans. In Getting Away with Murder, the fundamental question under scrutiny is whether Southern Democrats’ racist attitudes toward black Americans pardoned the atrocities of lynching. The book investigates underlying motives of opposition to Senate filibustering and invites an intellectual discussion on why Southern Democrats thought states’ rights were the remedy to lynching, when, in fact, the phenomenon was a baffling national crisis. A rebuttal to this query may include notions that congressional investigations into state-protected rights were deemed unconstitutional. In a unifying theme, the appeal ties into questions of the federalism-civil rights debate by noting intervals that warrant research and advancing new perspectives intended to accentuate the matrices of race-based politics. To examine the federalism-civil rights debate, this book asks three practical questions: (1) Would Southern Democrats suspend their friendships with private citizens and enact a federal law that would prosecute them for lynching? (2) Was the national government limited in its constitutional power to protect black Americans from private citizens who organized themselves as lynch mobs? (3) Were concerns for states’ rights the core reasons for Senate filibustering, or did Southern Democrats’ argument for states’ rights support the lie of racism?

Thomas De Quincey's three essays 'On Murder Considered as One of the Fine Arts' centre on the notorious career of the murderer John Williams, who in 1811 brutally killed seven people in London's East End. De Quincey coolly dissects the art of murder and its perfections, in a mixture of reportage, black satire, and aesthetic criticism. The volume also contains 'On the Knocking at the Gate in Macbeth' and De Quincey's finest tale of terror, 'The Avenger'.

Two of Scotland Yard’s finest—who happen to be married—navigate darkest London to solve a series of murders that blur every line between right and wrong. Chief Inspector Michael Sinclair, also known as Lord Acton, and rookie detective Kathleen Doyle ruffle more than a few feathers at CID Headquarters when their relationship comes to light. But office politics quickly become trivial amid a rash of underworld murders. As the body count climbs, Doyle uncovers a vicious war over lucrative turf between the Russian mafia and an Irish terrorist group. But their acts of revenge are almost too much for Scotland Yard to keep up with—and when Acton seems unusually troubled by the crimes, Doyle wonders what sparked the conflict in the first place. Perhaps there’s nothing more to it than under-the-table business dealings gone awry. Or perhaps a single act of vigilante justice ignited a brutal battle. As Doyle and Acton fight not to become the next victims, they’ll find that the truth may be best left unspoken, and retribution may be best left to fate… “Romantic suspense fans will welcome Cleeland’s second New Scotland Yard mystery…Distinctive characters, including Aiki, a friendly Rwandan cab driver who acts as Doyle’s self-appointed protector, compliment the finely wrought, highly charged plot.”—Publishers Weekly

Nominated for an Edgar Award “Exceptionally authentic.”—Jill Leovy, The New York Times Book Review In the late 1980s and early 1990s, the Bronx had one of the country’s highest per capita homicide rates. As crack cocaine use surged, dealers claimed territory through intimidation and murder, while families were fractured by crime and incarceration. Chronicling the rise and fall of Sex Money Murder, one of the era’s most notorious gangs, reporter Jonathan Green creates a visceral and devastating portrait of a New York City borough and the dedicated detectives and prosecutors struggling to stem the tide of violence. Drawing on years of research and extraordinary access to gang leaders, law enforcement, and federal prosecutors, Green delivers an engrossing work of gritty urban reportage. Magisterial in its scope, Sex Money Murder offers a unique perspective on the violence raging in modern-day America and the battle to end it.

Martyrdom, Murder, and Magic: Child Saints and Their Cults in Medieval Europe is a comprehensive history of child saints and their cults from late Antiquity to the end of the fifteenth century. The child martyrs of the persecutions, including the Holy Innocents, were the first child saints recognized by the Church and their cults spread throughout Europe in the early Middle Ages. Alongside these cults, medieval society also venerated child «martyrs», victims of political or domestic violence. The increasing role of the papacy in the canonization process after the tenth century resulted in the veneration of saintly child confessors in the high Middle Ages, but from the end of the twelfth century, most children worshipped as saints were the alleged victims of ritual murder by Jews. This book considers the formation and transformation of child saints and their cults in the context of popular belief and the history of childhood.