Dive into the ghostly world of the supernatural with America’s leading paranormal investigator Inside, paranormal investigator, star, and executive producer of The Travel Channel's hit series, Ghost Adventures and founder of the award-winning Haunted Museum (Las Vegas’ most popular attraction), Zak Bagans takes readers on an exciting journey into the supernatural world. With insider information on the history of ghost-hunting to learning about ghosts with all kinds of temperaments, Ghost-Hunting For Dummies is peppered with true accounts and stories from Bagans' famous cases and investigations. Featuring expert advice on picking a haunted location, setting up cameras, and dealing with unwieldy ghosts, this book shows how today's investigators use the tools of modern science to study a wide range of paranormal activity. Take an exciting adventure into the supernatural world Explore haunted sites Get messages from beyond the grave Read true accounts from famous cases and investigations If you're one of the countless fans of Ghost Adventures itching to get off the couch and track some spirits on your own, this book provides everything you need to know to conduct a successful paranormal investigation.

The concept of evil is one of the most powerful in our moral vocabulary, and is commonly used today in both religious and secular spheres to condemn ideas, people, their actions, and much else besides. Yet appeals to evil in public debate have often deepened existing conflicts, through corruption of rational discourse and demonization of the other. With its religious overtones and implied absolutism, the concept of evil seems ill-suited to advancing public discourse and pro-social relations in a liberal democracy, as evidenced by its use in the abortion debate. International relations have also suffered from references to an ‘axis of evil.’ Recently, however, philosophers have begun reconceptualising evil within a secular, moral framework, using the idea of evil as the worst kind of immorality to inform and shape our responses to issues like torture, genocide and rape as a weapon of war. This book continues this trend, exploring a constructive role for the concept of evil in practical ethics. Part I of the book begins with two examinations of the concept itself, one focusing primarily on its secular manifestations and the other on evil in its religious context. Individuals are perhaps the primary focus of attributions of evil, and Part II looks at two particular manifestations of evil, in bullying and in mass killing, before considering the nature of evil as an immoral character trait. Part III moves beyond the individual to issues of collective evildoing, evil environments, and political evil. The final part considers responses to evil: can some evil be unforgiveable, and to what extent should we ‘enhance’ ourselves morally so as to prevent future evildoing? These essays, written by leading philosophers from around the world, including the late Claudia Card, will take the philosophical debate on moral evil in practical ethics to a new level.

The Supernatural Sublime explores the long-neglected element of the supernatural in films from Spain and Mexico by focusing on the social and cultural contexts of their production and reception, their adaptations of codes and conventions for characters and plot, and their use of cinematic techniques to create the experience of emotion without explanation. Deploying the overarching concepts of the supernatural and the sublime, Raúl Rodríguez-Hernández and Claudia Schaefer detail the dovetailing of the unnatural and the experience of limitlessness associated with the sublime. The Supernatural Sublime embeds the films in the social histories of twentieth- and twenty-first-century Mexico and Spain, both of which made a forced leap into modernity after historical periods founded on official ideologies and circumscribed visions of the nation. Evoking Kant’s definition of the experience of the sublime, Rodríguez-Hernández and Schaefer concentrate on the unrepresentable and the contradictory that oppose purported universal truths and instead offer up illusion, deception, and imagination through cinema, itself a type of illusion: writing with light.

Albert Fish held the genuine belief that the murders he committed were upon instruction from God. The original Dracula's relative Countess Elisabeth was rumoured to use blood of her victims to preserve her youth and beauty. Jeffrey Dahmer began a macabre project of building an occult altar with his victims' body parts, believing this granted him supernatural powers to subdue and control his prey. Peter Stumpp, who started practising the "wicked arts from twelve years of age", was convinced he was a werewolf. The crimes committed by these people usually involved sexual deviance, cannibalism and violence toward children. In the sixteenth-century Europe, the problem became so significant that 'Werewolf Witch Trials' were conducted - many have no idea that it was possible to be tried and convicted for the crime of being a Werewolf, but Lycanthropy was a serious and major social concern in the 1500s. Supernatural Serial Killers discuss the individual cases of supernatural serial killers, including their background, crimes, trials and defences.

A mesmerizing novel...what begins as a gothic ghost story soon evolves into a wickedly twisted treasure hunt in The Supernatural Enhancements, Edgar Cantero's wholly original, modern-day adventure. When twentysomething A., the European relative of the Wells family, inherits a beautiful, yet eerie, estate set deep in the woods of Point Bless, Virginia, it comes as a surprise to everyone—including A. himself. After all, he never knew he had a "second cousin, twice removed" in America, much less that his eccentric relative had recently committed suicide by jumping out of the third floor bedroom window—at the same age and in the same way as his father had before him . . . Together with A.’s companion, Niamh, a mute teenage punk girl from Ireland, they arrive in Virginia and quickly come to feel as if they have inherited much more than just a rambling home and an opulent lifestyle. Axton House is haunted... they know it...but the presence of a ghost is just the first of a series of disturbing secrets they slowly uncover. What led to the suicides? What became of the Axton House butler who fled shortly after his master died? What lurks in the garden maze – and what does the basement vault keep? Even more troubling, what of the rumors in town about a mysterious yearly gathering at Axton House on the night of the winter solstice? Told vividly through a series of journal entries, cryptic ciphers, recovered security footage, and letters to a distant Aunt Liza, Edgar Cantero has written an absorbing, kinetic and highly original supernatural adventure with classic horror elements that introduces readers to a deviously sly and powerful new voice.

Lecture notes taken by Kant's students of his university courses in ethics.

DigiCat presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: Bram Stoker: Dracula The Squaw... John William Polidori: The Vampyre James Malcolm Rymer & Thomas Peckett Prest: Sweeney Todd, the Demon Barber of Fleet Street Washington Irving: The Legend of Sleepy Hollow Rip Van Winkle Edgar Allan Poe: The Cask of Amontillado The Masque of the Red Death The Premature Burial Mary Shelley: Frankenstein The Mortal Immortal The Evil Eye Gaston Leroux: The Phantom of the Opera Marjorie Bowen: Black Magic Oscar Wilde: The Picture of Dorian Gray Henry James: The Turn of the Screw The Ghostly Rental... H. P. Lovecraft: The Dunwich Horror The Shunned House... Charles Dickens: The Mystery of Edwin Drood The Haunted House... Wilkie Collins: The Haunted Hotel The Woman in White Richard Marsh: The Beetle Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet... Joseph Sheridan Le Fanu: Carmilla... Arthur Machen: The Great God Pan... William Hope Hodgson: The Ghost Pirates The Night Land E. F. Benson: The Room in the Tower The Terror by Night... Nathaniel Hawthorne: The Birth Mark The House of the Seven Gables... Thomas Hardy: What the Shepherd Saw The Grave by the Handpost Jane Austen: Northanger Abbey Charlotte Brontë: Jane Eyre Emily Brontë: Wuthering Heights Guy de Maupassant: The Horla Horace Walpole: The Castle of Otranto William Thomas Beckford: Vathek Matthew Gregory Lewis: The Monk Ann Radcliffe: The Mysteries of Udolpho The Italian Théophile Gautier: Clarimonde The Mummy's Foot M. R. James: Ghost Stories of an Antiquary A Thin Ghost and Others Ambrose Bierce: Can Such Things Be? Present at a Hanging and Other Ghost Stories M. P. Shiel: Shapes in the Fire Rudyard Kipling: My Own True Ghost Story The City of Dreadful Night The Mark of the Beast... Stanley G. Weinbaum: The Dark Other Émile Erckmann & Alexandre Chatrian: The Man-Wolf... Amelia B. Edwards: The Phantom Coach... Pedro De Alarçon: The Nail Walter Hubbell: The Great Amherst Mystery Some Real American Ghosts Some Chinese Ghosts...