Description: This is the third and last volume of a series, dealing with the history and culture of ancient India, which is intended to fulfil the needs of the University student as well as of the general readers who desire to know the past history of India. The series consist of three volumes dealing respectively with (1) Political History (2) Political Theory, Administration and Economic Life and (3) Hinduism : Society Religion and Philosophy. The present volume deals with religion, philosophy and society. Historians writing on Indian history are mostly content with devoting a single chapter to cover these three topics. This has created problems for those readers, who want to know more, but have no ready access to the vast number of books required for a thorough grasp of the subject. Dr. Majumdar has solved this problem by devoting an entire volume to these topics. Each and every aspect of Hindu, Buddhist and Jain religions and their philosophy have been thoroughly dealt with. Even remote and minor religious practices are not left out, the ripples and upheavals in society caused by the oscillating political fortunes are brought in sharp focus.

The Historical Dictionary of Hinduism relates the history of Hinduism through a chronology, an introductory essay, photos, an extensive bibliography, and over 1,000 cross referenced dictionary entries on Hindu terminology, names of major historical figures and movements, gods and goddesses, prominent temples, terms for items used in Hindu practice, major texts, philosophical concepts, and more. This book is an excellent access point for students, researchers, and anyone wanting to know more about Hinduism.

First published in 1965, The Culture and Civilisation of Ancient India in Historical Outline is a strikingly original work, the first real cultural history of India. The main features of the Indian character are traced back into remote antiquity as the natural outgrowth of historical process. Did the change from food gathering and the pastoral life to agriculture make new religions necessary? Why did the Indian cities vanish with hardly a trace and leave no memory? Who were the Aryans – if any? Why should Buddhism, Jainism, and so many other sects of the same type come into being at one time and in the same region? How could Buddhism spread over so large a part of Asia while dying out completely in the land of its origin? What caused the rise and collapse of the Magadhan empire; was the Gupta empire fundamentally different from its great predecessor, or just one more ‘oriental despotism’? These are some of the many questions handled with great insight, yet in the simplest terms, in this stimulating work. This book will be of interest to students of history, sociology, archaeology, anthropology, cultural studies, South Asian studies and ethnic studies.

This book is primarily meant for the general public and the students, who desire to understand the history and culture of their country. Though a general work encompassing historical, cultural, economic, political and administrative features, the book is none the less authentic and authoritative. A Comprehensive History of India is the product of a joint venture undertaken by a group of historians who do not go by conformist views but by critical, objective and analytical assessment of events and developments in accordance with the methodical discipline of scientific research.

The heart of this book is a dramatic love poem, the Rasa Lila, which is the ultimate focal point of one of the most treasured Sanskrit texts of India, the Bhagavata Purana. Judged a literary masterpiece by Indian and Western scholars alike, this work of poetic genius and soaring religious vision is one of the world's greatest sacred love stories and, as Graham Schweig clearly demonstrates, should be regarded as India's Song of Songs. The story presents the supreme deity as the youthful and amorous cowherd, Krishna, who joins his beloved maidens in an enchanting and celebratory "dance of divine love." Schweig introduces this work of exquisite poetry and profound theology to the Western world in the form of a luminous translation and erudite scholarly treatment. His book explores the historical context and literary genre of the work and elucidates the aesthetic and emotional richness of the composition, highlighting poignant details of this drama of divine love. Schweig illuminates the religious dimensions and ethical nuances of the drama, drawing widely from the commentaries and esoteric vision of masters of the Caitanya school of Vaishnavism, a prominent devotional Hindu tradition. Themes such as transcendence of death through love, the yoga of devotion, the contrast between worldly love and passionate love for God, and the dialectical tension between ethical boundaries and boundless love are presented. The final event of the Rasa dance, the author concludes, presents a dynamic symbol of supreme love that provides the basis for a theological vision of genuine religious pluralism.