Piano Concerto No. 23 in A, K. 488
Title | Piano Concerto No. 23 in A, K. 488 PDF eBook |
Author | Wolfgang Amadeus Mozart |
Publisher | Alfred Music |
Pages | 60 |
Release | |
Genre | Music |
ISBN | 9781457475825 |
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Mozart Concerto No. 14 in E-flat Major, Kv449
Title | Mozart Concerto No. 14 in E-flat Major, Kv449 PDF eBook |
Author | Wolfgang Amadeus Mozart |
Publisher | Music Minus One |
Pages | 60 |
Release | 2006-11-01 |
Genre | Music |
ISBN | 9781596150676 |
Music Minus One
Concerto no. 14, A major
Title | Concerto no. 14, A major PDF eBook |
Author | Rodolphe Kreutzer |
Publisher | |
Pages | 16 |
Release | 1912 |
Genre | Concertos (Violin) |
ISBN |
The Concerto
Title | The Concerto PDF eBook |
Author | Stephan D. Lindeman |
Publisher | Taylor & Francis |
Pages | 666 |
Release | 2006 |
Genre | Music |
ISBN | 0415976197 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Concerto no. 14 in E flat major
Title | Concerto no. 14 in E flat major PDF eBook |
Author | Wolfgang Amadeus Mozart |
Publisher | |
Pages | |
Release | 1975 |
Genre | Concertos (Piano) |
ISBN |
Concerto no. 14 in E flat major, K. 449
Title | Concerto no. 14 in E flat major, K. 449 PDF eBook |
Author | Wolfgang Amadeus Mozart |
Publisher | |
Pages | 48 |
Release | 1950 |
Genre | Concertos (Piano) |
ISBN |
Structural Novelty and Tradition in the Early Romantic Piano Concerto
Title | Structural Novelty and Tradition in the Early Romantic Piano Concerto PDF eBook |
Author | Stephan D. Lindeman |
Publisher | Pendragon Press |
Pages | 368 |
Release | 1999 |
Genre | Juvenile Nonfiction |
ISBN | 9781576470008 |
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR