An Oboe solo, composed by Benedetto Marcello.

A Flute solo with Piano Accompaniment composed by Johann Sebastian Bach.

A Piano Duet for 2 pianos, 4 hands, composed by Johann Sebastian Bach.

Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.

(Rubank Solo Collection). This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. Also available: * Solo Book (HL04471690) * Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002514) Contents: At the Hearth (Gretchaninoff) * Evening Waltz (Gretchaninoff) * Minuet from Haffner Music (Mozart) * Melodie (Poulain) * Canzonetta and Giga (Ostransky) * Sonatina from Trio V (Haydn) * Andante and Allegro (Chailleux) * Largo and Allegro from Sonata VI (Handel) * Elegie (Barat) * Introduction and Rondo (Ostransky) * Recitative and Allegro (Koepke) * Fantaisie Mauresque (Combelle) * Concertante (Paladilhe) * First Concertino (Guilhaud).

A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence.

"A wonderful collection that gives Mozart a voice as a son, husband, brother and friend." —New York Times Book Review "Mozart's honesty, his awareness of his own genius and his contempt for authority all shine out from these letters."—Sunday Times (London). " In Mozart's Letters, Mozart's Life, Robert Spaethling presents "Mozart in all the rawness of his driving energies" (Spectator), preserved in the "zany, often angry effervescence" of his writing (Observer). Where other translators have ignored Mozart's atrocious spelling and tempered his foul language, "Robert Spaethling's new translations are lively and racy, and do justice to Mozart's restlessly inventive mind" (Daily Mail). Carefully selected and meticulously annotated, this collection of letters "should be on the shelves of every music lover" (BBC Music Magazine).