Library of Congress Subject Headings
Title | Library of Congress Subject Headings PDF eBook |
Author | Library of Congress |
Publisher | |
Pages | 1608 |
Release | 2001 |
Genre | Subject headings, Library of Congress |
ISBN |
A-E
Title | A-E PDF eBook |
Author | Library of Congress. Office for Subject Cataloging Policy |
Publisher | |
Pages | 1548 |
Release | 1990 |
Genre | Subject headings, Library of Congress |
ISBN |
Library of Congress Subject Headings
Title | Library of Congress Subject Headings PDF eBook |
Author | Library of Congress. Office for Subject Cataloging Policy |
Publisher | |
Pages | 1534 |
Release | 1990 |
Genre | Subject headings, Library of Congress |
ISBN |
Library of Congress Subject Headings
Title | Library of Congress Subject Headings PDF eBook |
Author | Library of Congress. Cataloging Policy and Support Office |
Publisher | |
Pages | |
Release | 2007 |
Genre | Subject headings, Library of Congress |
ISBN |
Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston
Title | Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston PDF eBook |
Author | Allen A. Brown Collection (Boston Public Library) |
Publisher | |
Pages | 462 |
Release | 1916 |
Genre | Music |
ISBN |
A Short-Title Catalogue of Music Printed Before 1825 in the Fitzwilliam Museum, Cambridge
Title | A Short-Title Catalogue of Music Printed Before 1825 in the Fitzwilliam Museum, Cambridge PDF eBook |
Author | Fitzwilliam Museum |
Publisher | Cambridge University Press |
Pages | 216 |
Release | 1992-11-27 |
Genre | Music |
ISBN | 9780521415354 |
The collection of pre-1825 printed music in the Fitzwilliam Museum, Cambridge, here catalogued for the first time.
A History of Baroque Music
Title | A History of Baroque Music PDF eBook |
Author | George J. Buelow |
Publisher | Indiana University Press |
Pages | 732 |
Release | 2004-11-23 |
Genre | Music |
ISBN | 9780253343659 |
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.