Uses commentary and archival material to examine the development of Robert E. Howard's Conan character.

“For headling, nonstop adventure and for vivid, even florid, scenery, no one even comes close to Howard.”—Harry Turtledove In a meteoric career that covered only a dozen years, Robert E. Howard defined the sword-and-sorcery genre. In doing so, he brought to life the archetypal adventurer known to millions around the world as Conan the barbarian. Witness, then, Howard at his finest, and Conan at his most savage, in the latest volume featuring the collected works of Robert E. Howard, lavishly illustrated by award-winning artist Greg Manchess. Prepared directly from the earliest known versions—often Howard’s own manuscripts—are such sword-and-sorcery classics as “The Servants of Bit-Yakin” (formerly published as “Jewels of Gwahlur”), “Beyond the Black River,” “The Black Stranger,” “Man-Eaters of Zamboula” (formerly published as “Shadows in Zamboula”), and, perhaps his most famous adventure of all, “Red Nails.” The Conquering Sword of Conan includes never-before-published outlines, notes, and story drafts, plus a new introduction, personal correspondence, and the revealing essay “Hyborian Genesis”—which chronicles the history of the creation of the Conan series. Truly, this is heroic fantasy at its finest.

Robert E. Howard penned a series of fantasy stories in 1932 featuring Conan, a hulking warrior from "Cimmeria" who roamed the mythical Hyborian Age landscape engaging in heroic adventures. More than the quirky manifestation of Depression-era magazines, Conan the Barbarian has endured as a cultural mainstay for over 70 years. This multidisciplinary collection offers the first scholarly investigation of Conan, from Howard's early stories, through midcentury novels and Arnold Schwarzenegger's iconic films, to the 2011 cinematic remake of Conan the Barbarian. Drawing on disciplines such as stylometry, archeology, cultural and folklore studies and literary history, the essays examine statistical analyses of the words in Conan texts, the literary genesis of Conan, later-day parodies, Conan video games, and much more. This volume reveals the hidden scholarly depth of this seemingly unsophisticated fictional character.

In 1916 Arthur Conan Doyle stated his belief in Spiritualism. "The Edge of the Unknown", first published in 1930, is a collection of articles covering various aspects of this subject.

“Noyes makes history accessible and irresistible . . . Excellent.”* A century ago, the curious idea that spirits not only survive death but can be contacted on the “other side” was widespread. Psychic mediums led countless séances, claiming to connect the grieving with their lost relations through everything from frenzied trance writing to sticky expulsions of ectoplasm. The craze caught Harry Houdini’s attention. Well-known by then as most renowned magician and escape artist, he began to investigate these spiritual phenomena. Are ghosts real? Can we communicate with them? Catch them in photographs? Or are all mediums “flim-flammers,” employing tricks and illusions like Houdini himself? Peopled with odd and fascinating characters, Houdini’s gripping quest will excite readers’ universal wonderment with life, death, and the possibility of the Beyond. *School Library Journal, starred review of Ten Days a Madwoman

In "The Black Colossus" by Robert E. Howard, an ancient wizard seeks world domination after awakening from a millennia-long slumber. His ambitions lead him to a strategic kingdom, where fate intertwines his path with Conan leading the kingdom's defenses. Magic, strategy, and valor collide in this epic tale of power and resistance.