This special collection harks back to the best creepy, eerie horror comics of yesteryear, featuring stories from horror legends such as Robert Bloch, Richard Matheson, David J. Schow and Paul F. Wilson.

Pandora Walker unwittingly unleashes cyber Armageddon on her 17th birthday and must play a virtual reality game in order to save the world. By the author of the Tempest series and the co-author of The International Kissing Club (under the pseudonym Ivy Adams).

Madison Spencer, the liveliest and snarkiest dead girl in the universe, continues the afterlife adventure begun in Chuck Palahniuk’s bestseller Damned. Just as that novel brought us a brilliant Hell that only he could imagine, Doomed is a dark and twisted apocalyptic vision from this provocative storyteller. The bestselling Damned chronicled Madison’s journey across the unspeakable (and really gross) landscape of the afterlife to confront the Devil himself. But her story isn’t over yet. In a series of electronic dispatches from the Great Beyond, Doomed describes the ultimate showdown between Good and Evil. After a Halloween ritual gone awry, Madison finds herself trapped in Purgatory—or, as mortals like you and I know it, Earth. She can see and hear every detail of the world she left behind, yet she’s invisible to everyone who’s still alive. Not only do people look right through her, they walk right through her as well. The upside is that, no longer subject to physical limitations, she can pass through doors and walls. Her first stop is her parents’ luxurious apartment, where she encounters the ghost of her long-deceased grandmother. For Madison, the encounter triggers memories of the awful summer she spent upstate with Nana Minnie and her grandfather, Papadaddy. As she revisits the painful truth of what transpired over those months (including a disturbing and finally fatal meeting in a rest stop’s fetid men’s room, in which . . . well, never mind), her saga of eternal damnation takes on a new and sinister meaning. Satan has had Madison in his sights from the very beginning: through her and her narcissistic celebrity parents, he plans to engineer an era of eternal damnation. For everyone. Once again, our unconventional but plucky heroine must face her fears and gather her wits for the battle of a lifetime. Dante Alighieri, watch your back; Chuck Palahniuk is gaining on you.

To his fellow conservatives, John Derbyshire makes a plea: Don't be seduced by this nonsense about "the politics of hope." Skepticism, pessimism, and suspicion of happy talk are the true characteristics of an authentically conservative temperament. And from Hobbes and Burke through Lord Salisbury and Calvin Coolidge, up to Pat Buchanan and Mark Steyn in our own time, these beliefs have kept the human race from blindly chasing its utopian dreams right off a cliff. Recently, though, various comforting yet fundamentally idiotic notions of political correctness and wishful thinking have taken root beyond the "Kumbaya"-singing, we're-all-one crowd. These ideas have now infected conservatives, the very people who really should know better. The Republican Party has been derailed by legions of fools and poseurs wearing smiley-face masks. Think rescuing the economy by condemning our descendents to lives of spirit-crushing debt. Think nation-building abroad while we slowly disintegrate at home. Think education and No Child Left Behind. . . . But don't think about it too much, because if you do, you'll quickly come to the logical conclusion: We are doomed. Need more convincing? Dwell on the cheerful promises of the diversity cult and the undeniable reality of the oncoming demographic disaster. Contemplate the feminization of everything, or take a good look at what passes for art these days. Witness the rise of culturism and the death of religion. Bow down before your new master, the federal apparatchik. Finally, ask yourself: How certain am I that the United States of America will survive, in any recognizable form, until, say, 2022? A scathing, mordantly funny romp through today's dismal and dismaler political and cultural scene, We Are Doomed provides a long-overdue dose of reality, revealing just how the GOP has been led astray in recent years–and showing that had conservatives held on to their fittingly pessimistic outlook, America's future would be far brighter. Ladies and gentlemen, it's time to embrace the Audacity of Hopelessness.

This new series is a direct sequel to Bogus Journey and prequel to Face the Music and part of the Bill and Ted canon bringing in screenwriter and creator Ed Solomon to the table along with bringing back legendary Bill and Ted comics writer Evan Dorkin and acclaimed artist Roger Langridge! After defeating the evil dictator De Nomolos in Bogus Journey in 1995, things aren't looking as excellent as they should for either Bill and Ted or Wyld Stallyns. There's tension in the band and worry at home. Bill and Ted's obsessiveness with writing the one song to bring peace to the world is affecting their playing and their relationships with their families. The band is losing favor with fans and the future isn't shaping up as they were all led to believe it would from past (and future) events. The princesses are overwhelmed, Death threatens to quit the band as his growing ego has opened a rift, and the Stations live in their garage with their clunky creations Robot Bill and Ted who are creating lots of chaos. Desperate for a solution Bill and Ted burst in to announce their great idea to revive the band's fortunes: A world tour to spread the love - and the rock, and the love of the rock - to the world. Collects Bill & Ted Are Doomed issues 1-4.

Kaledon's concept story by Alex MeleThis is the story of the CD booklets

Think adolescence is hell? You have no idea... Welcome to Dante's Inferno, by way of The Breakfast Club, from the mind of American fiction's most brilliant troublemaker. "Death, like life, is what you make out of it." So says Madison, the whip-tongued 11-year-old narrator of Damned, Chuck Palahniuk's subversive homage to the young adult genre. Madison is abandoned at her Swiss boarding school over Christmas while her parents are off touting their new film projects and adopting more orphans. Over the holidays she dies of a marijuana overdose--and the next thing she knows, she's in Hell. This is the afterlife as only Chuck Palahniuk could imagine it: a twisted inferno inspired by both the most extreme and mundane of human evils, where The English Patient plays on repeat and roaming demons devour sinners limb by limb. However, underneath Madison's sad teenager affect there is still a child struggling to accept not only the events of her dysfunctional life, but also the truth about her death. For Madison, though, a more immediate source of comfort lies in the motley crew of young sinners she meets during her first days in Hell. With the help of Archer, Babette, Leonard, and Patterson, she learns to navigate Hell--and discovers that she'd rather be mortal and deluded and stupid with those she loves than perfect and alone.