Here is Oscar Wilde revealed in his own words--including more than 200 previously unpublished letters--available to coincide with the one hundredth anniversary of his death Deliciously wicked, astoundingly clever, and often outright shocking, Oscar Wilde put his art into his work and his genius into his life. In this collection, replete with newly discovered letters, the full extent of that genius is unveiled. Charting his life from his Irish upbringing to fame in his fin de siècle London to infamy and exile in Paris, the letters--written between 1875 and 1900 to publishers and fans, friends and lovers, enemies and adversaries--resound with Wilde's wit, brilliance, and humanity. Wilde's grandson, Merlin Holland, and Rupert Hart-Davis have produced a provocative and revealing self-portrait. Wilde's reputation as a serious thinker, humorous writer, and gay icon continues to flourish. The Complete Letters is an intimate exploration of his life and thoughts--Wilde in his own words.

When Sir Rupert Hart-Davis's magnificent edition of The Letters of Oscar Wilde was first published in 1962, Cyril Connolly called it "a must for everyone who is seriously interested in the history of English literature - or European morals." From this edition, long out of print, Hart-Davis has culled a representative sample of the letters from each period of Wilde's life, "giving preference," as he says in his Introduction, "to those of literary interest, to the most amusing, and to those that throw light on his life and work." The long letter to Lord Alfred Douglas, known as De Profundis is printed in its entirety.

The Collected Oscar Wilde, by Oscar Wilde, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. New introductions commissioned from today's top writers and scholars /O:P Biographies of the authors. Chronologies of contemporary historical, biographical, and cultural events. Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work. Study questions to challenge the reader's viewpoints and expectations. Indices & Glossaries, when appropriate. All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences?biographical, historical, and literary?to enrich each reader's understanding of these enduring works. A renowned eccentric, dandy, and man-about-town, Oscar Wilde was foremost a dazzling wit and dramatic genius whose plays, poems, essays, and fiction contain some of the most frequently quoted quips and passages in the English language. This volume features a wide selection of Wilde's literary output, including the comic masterpiece The Importance of Being Earnest, an immensely popular play filled with satiric epigrams that mercilessly expose Victorian hypocrisy; The Portrait of Mr. W. H., a story proposing that Shakespeare's sonnets were inspired by the poet's love for a young man; The House of Pomegranates, the author's collection of fairy tales; lectures Wilde delivered, first in the United States, where he exhorted his audiences to love beauty and art, and then in England, where he presented his impressions of America; his two major literary-theoretical works,?The Decay of Lying and?The Critic as Artist; and a selection of verse, including his great poem The Ballad of Reading Gaol, in which Wilde famously declared that?each man kills the thing he loves. A testament to Wilde's incredible versatility, this collection displays his legendary wit, brilliant use of language, and penetrating insight into the human condition. Angus Fletcher is Distinguished Professor Emeritus, City University of New York, and the author of Allegory: The Theory of a Symbolic Mode, Colors of the Mind, and A New Theory for American Poetry, among other books.

Volume IV of the Oxford English Texts Complete Works of Oscar Wilde is the first variorum edition of Wilde's major critical writing; it includes the critical essays which were re-published in book-form in his life-time - that is, those anthologised in Intentions and The Soul of Man - as well as his graduate essay usually known by the title The Rise of Historical Criticism, but which this volume titles Historical Criticism. The Introduction gives a detailed account of the composition of each of the essays: it gives a new explanation for the relationship between the 'The Decay of Lying' and 'Pen, Pencil, and Poison' (arguing that they are best understood as companion pieces); it provides the first concrete demonstration that Wilde did, on occasions, knowingly 'copy' his own work; and it reveals that substantial cuts were made to some of Wilde's essays (without his full consent) by the periodical editors with whom he worked. The edition also provides, for the first time, a full collation of the textual variants between the published versions of Wilde's essays (that is, both book and periodical), and all extant manuscripts; in addition it establishes a new, authoritative text for Historical Criticism, based on an examination of the original manuscript, which differs significantly from that printed by Robert Ross in his 1908 Collected Edition (and subsequently reprinted in the Collins Complete Works). The annotation to the edition reveals the full extent of Wilde's 'borrowings' both from his own work, and from other writers; it also reveals that much of Historical Criticism is in fact paraphrasing or translating well-known classical texts, and that the some of denseness of the argument is due to ellipses in Wilde's text that were disguised by earlier editors.

An innovative new edition of nine classic short stories from one of the greatest writers of the Victorian era. “I cannot think other than in stories,” Oscar Wilde once confessed to his friend André Gide. In this new selection of his short fiction, Wilde’s gifts as a storyteller are on full display, accompanied by informative facing-page annotations from Wilde biographer and scholar Nicholas Frankel. A wide-ranging introduction brings readers into the world from which the author drew inspiration. Each story in the collection brims with Wilde’s trademark wit, style, and sharp social criticism. Many are reputed to have been written for children, although Wilde insisted this was not true and that his stories would appeal to all “those who have kept the childlike faculties of wonder and joy.” “Lord Arthur Savile’s Crime” stands alongside Wilde’s comic masterpiece The Importance of Being Earnest, while other stories—including “The Happy Prince,” the tale of a young ruler who had never known sorrow, and “The Nightingale and the Rose,” the story of a nightingale who sacrifices herself for true love—embrace the theme of tragic, forbidden love and are driven by an undercurrent of seriousness, even despair, at the repressive social and sexual values of Wilde’s day. Like his later writings, Wilde’s stories are a sweeping indictment of the society that would imprison him for his homosexuality in 1895, five years before his death at the age of forty-six. Published here in the form in which Victorian readers first encountered them, Wilde’s short stories contain much that appeals to modern readers of vastly different ages and temperaments. They are the perfect distillation of one of the Victorian era’s most remarkable writers.

It is both a challenge and a pleasure to teach the works of Oscar Wilde, "the master of paradox," in the words of this volume's editor. Wilde wrote at a pivotal moment between the Victorian period and modernism, and his work is sometimes considered prescient of the postmodern age. He is now taught in a variety of university courses: in literature, theater, criticism, Irish studies, cultural studies, gender studies, and gay studies. This volume, like others in the MLA series Approaches to Teaching World Litereature, is divided into two parts. The first, "Materials," suggests editions, resources, and criticism, both in print and online, that may be useful for the teacher. The second part, "Approaches," contains twenty-five essays that discuss Wilde's stories, fairy tales, poetry, plays, essays, letters, and life�from the perspective of a wide range of disciplines.

This book is the first collection of essays to discuss Oscar Wilde’s love and vast knowledge of philosophy. Over the past few decades, Oscar Wilde scholars have become increasingly aware of Wilde’s love and intimate knowledge of philosophy. Wilde’s “Oxford Notebooks” and his soon-to-be-published “Notebook on Philosophy” all point to Wilde not just as an aesthete, but also as a serious philosophical thinker. The aim of this collection is not to make the statement that Wilde was a philosopher, or that his works were philosophical tracts. Rather, it provides a space to explore any and all linkages between Wilde’s works and philosophical thought. Addressing a broad spectrum of philosophical matter, from classical philology to Daoism, ethics to aestheticism, this collection enriches the literature on Wilde and philosophy alike.