Offers the complete body of work of one of the twentieth century's greatest Russian poets for the first time in English.

A new selection and translation of the work of Osip Mandelstam, perhaps the most important Russian poet of the twentieth century Political nonconformist Osip Mandelstam's opposition to Stalin's totalitarian government made him a target of the communist state. The public recitation of his 1933 poem known in English as "The Stalin Epigram" led to his arrest, exile, and eventual imprisonment in a Siberian transit camp, where he died, presumably in 1938. Mandelstam's work—much of it written under extreme duress—is an extraordinary testament to the enduring power of art in the face of oppression and terror. Stolen Air spans Mandelstam's entire poetic career, from his early highly formal poems in which he reacted against Russian Symbolism to the poems of anguish and defiant abundance written in exile, when Mandelstam became a truly great poet. Aside from the famous early poems, which have a sharp new vitality in Wiman's versions, Stolen Air includes large selections from The Moscow Notebooks and The Voronezh Notebooks. Going beyond previous translators who did not try to reproduce Mandelstam's music, Christian Wiman has captured in English—for the first time—something of Mandelstam's enticing, turbulent, and utterly heartbreaking sounds.

The Six Degrees of Petrovitch Michael is an AI of incalculable complexity trapped under the remains of Oshicora tower. Petrovitch will free him one day, he just has to trust Michael will still be sane by the time he does. Maddy and Petrovitch have trust issues. She's left him, but Petrovitch is pretty sure she still loves him. Sonja Oshicora loves Petrovitch too. But she's playing a complicated game and it's not clear that she means to save him from what's coming. The CIA wants to save the world. Well, just America, but they'll call it what they like. The New Machine Jihad is calling. But Petrovitch killed it. Didn't he? And the Armageddonists tried to kill pretty much everyone by blowing the world up. Now, they want to do it again. Once again, all roads lead back to Petrovitch. Everyone wants something from him, but all he wants is to be free. . .

Offers the complete body of work of one of the twentieth century's greatest Russian poets for the first time in English.

'There is a salubrious élan about much of the book, and the fact that it is a book, not just a selection the significant poems, amplifies our sense of whatStonereally means to its contemporary readers' Seamus Heaney 'What makes Robert Tracy's book invaluable is his feeling for context...Another thing that comes across in these translations is the verve and immediacy of the poems' occasions, recalling the Acmeist programme of 'this-worldliness': there are poems about tennis and ice-cream and silent movies, poems that seem to jump into being on impulse' Seamus Heaney,London Review of Books 'A blend of classical serenity and brash iconoclasm. This is a splendid introduction to a poet who should be known thoroughly' G.E. Murray,Chicago Sun Times 'Professor Tracy has done a superb job. His introduction is excellent, his notes are very comprehensive...and his verse translations are remarkably good. All one can say is "Thank you"' Irish Times WhenStoneappeared in 1913, it marked the debut of one of Russia's greatest twentieth-century poets. Precision, clarity and concreteness, a concern with form and fascination with European culture, especially architecture, were touchstones for the young poet and remained so for the rest of his extraordinary writing life. This bilingual edition, based on the most complete edition of 1928, was published, alongsideThe Collected Critical Prose and Letters,to mark Mandelstam's centenary in 1991.