"Over his lifetime from 1894 to 1963, Aldous Huxley earned a reputation as one of the giants of modern English prose and of social commentary in our time. Best known for his novels, including Brave New World and Point Counter Point, Huxley was nonetheless very much at home in the essay form. Ranging from journalism to critical reviews to lierary, political, cultural, and philosophical reflections, these essays stand among the finest examples of the genre in modern literature. They also provide absorbing commentary on contmporary currents and events."--Page 2 of cover.

"Over his lifetime from 1894 to 1963, Aldous Huxley earned a reputation as one of the giants of modern English prose and of social commentary in our time. Best known for his novels, including Brave New World and Point Counter Point, Huxley was nonetheless very much at home in the essay form. Ranging from journalism to critical reviews to lierary, political, cultural, and philosophical reflections, these essays stand among the finest examples of the genre in modern literature. They also provide absorbing commentary on contmporary currents and events."--Page 2 of cover.

These first two volumes of a projected five, in preparation for several years, begin a major publishing venture, collecting the complete essays of one of the giants of modern English prose and of social commentary in our time. The first two volumes span the most productive period of Huxley's career. Volume I begins with his essays for Gilbert Murray's Athenaeum and his music essays for the New Westminster Gazette. Volume II continues through the 1920s and includes his controversial essays on India and the empire in "Jesting Pilate." The essays of both volumes range from nuanced assessments of art and architecture to political analyses, history, science, religion, and art, and a newly discovered series on music. Wide-ranging, allusive, and witty, they are informed by the probing skepticism of a highly educated and ironically incisive member of the English upper middle class. Huxley's fascination with the codes and conventions of European culture, his growing apprehensions about the menacing collapse of the European political order, and his awareness of the impact of science and technology on the post-Versailles world of England, France, Germany, and the United States form the basis for his critique. His subjects overlap with the satirical novels he wrote during the period between the wars, culminating in Point Counter Point and Brave New World. At their best, these essays stand among the finest examples of the genre in modern literature.

Before he began the U.S.A. trilogy, Dos Passos prefigured his groundbreaking epic through three novels that provide a fascinating glimpse into his achievement as an avant-garde prose stylist while they incisively chronicle early 20th-century Europe and America.

This book pays critical homage to the eminent comparatist of Chinese and Western literature and religion, Anthony C. Yu of The University of Chicago. Broadly comparative, cross-cultural, and interdisciplinary in scope, the volume consists of an introductory essay on Yu's scholarly career, and thirteen additional essays on topics such as literary texts and traditions of varying provenance and periods, ranging from ancient Greece, medieval Europe, and nineteenth- and twentieth-century England and America, to China from the classical to modern periods. The disciplines and areas of research that the essays draw into constructive engagement with one another include comparative literature, religion and literature, history of religions, (or comparative religion), religion and social thought, and the study of myth. Eric Ziolkowski is Professor and Head of the Department of Religious Studies at Lafayette College.

This collection of essays examines European politics and diplomacy in the 1920s, with special emphasis on the Treaty of Locarno of 1925, often seen as the 'real' peace treaty at the end of the First World War. Contributors discuss the diplomacy of the principle countries that signed the Treaty of Locarno in 1925 and consider the issues of greatest importance to the study of European history in the 1920s. They also assess whether the treaty could be seen as the 'real' peace treaty with Germany at the end of the First World War. Key chapters include: Locarno, Britain and the Security of Europe; Locarno: Early Test of Fascist Intentions; Locarno and the Irrelevance of Disarmament. 'Locarno diplomacy' meant different things to each of the countries involved. The inability of contemporaries to arrive at a working consensus about what the treaty was intended to achieve weakened it and paved the way for its destruction. Unlike the Paris Peace Conference, however, the Treaty of Locarno and the era of diplomacy to which it gave its name, were not always seen as flawed. Until 1945, they were held up as one of the high points of European diplomacy in the 1920s. This book asks whether it is still appropriate to under-rate the importance of the Treaty of Locarno