This collection of twenty articles, selected from the 33rd annual Linguistic Symposium on Romance Languages held at Indiana University in 2003, presents current theoretical approaches to a variety of issues in Romance linguistics. Invited speakers Luigi Burzio and Jose Ignacio Hualde contribute papers on the paradigmatics and syntagmatics of Italian verbal inflection and comparative/diachronic Romance intonation, respectively. The other papers, whose authors include both well-known researchers and younger scholars, represent such areas as French syntax (both synchronic and diachronic), second language acquisition (Spanish & English), Spanish intonation, phonology, syntax, and semantics, Italian semantics, Romanian morphology and syntax, Catalan phonology and morphology, and Galician phonology (two papers). The volume is rounded out by three explicitly comparative studies, one on proto-Romance phonology, one on microvariation in Romance syntax, and a third addressing syntactic microvariation among varieties of French and French-based creoles. Frameworks represented include Optimality Theory, Minimalism, and Construction Grammar.

TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.

This volume contains a selection of 18 peer-reviewed papers presented at the 31st edition of Going Romance. Phenomena found in Romance languages (European Portuguese, French, Italian, Spanish, Romanian), in Romance dialects (Cosentino, Salentino, southern Calabrese, Neapolitan, and Trevigiano), and even in creoles with a Romance lexifier (Makista and Kristang) either benefit from in-depth analyses confined to one single variety, or are subjected to comparative analysis (dialect vs standard language, dialect vs different major language(s), cross-dialectal comparison, cross-Romance comparison, and even comparison of language families). Theoretical and experimental approaches complement one another, as do diachrony and synchrony. Individually and as a whole, these contributions show how the Romance languages contribute to a better understanding of issues which are relevant in the current linguistic landscape: acquisition, n-words, ellipsis phenomena, focus and polarity, ditransitive constructions, grammaticalization theory, differential object marking, language ecology, event structure, cyclicity, passives and many more.

This book makes available for the first time in paperback the results of an important interdisciplinary conference held at Rutgers University in 1989. Eighteen internationally known specialists in linguistics, history, philology, Latin, and Romance languages tackle the difficult question of how and when Latin evolved into the Romance languages of French, Spanish, Italian, Portuguese, and Catalan. The result is a stimulating and open exchange that offers the most up-to-date and accessible coverage of the topic. Contributors are Paul M. Lloyd, Tore Janson, J&ózsef Herman, Alberto Varvaro, Thomas D. Cravens, Harm Pinkster, John N. Green, Roger Wright, Marc Van Uytfanghe, Rosamond McKitterick, Katrien Heene, Michel Banniard, Birte Stengaard, Carmen Pensado, Thomas J. Walsh, Robert Blake, Ant&ónio Emiliano, and Marcel Danesi.