Sharon Farmer here investigates the ways in which three medieval communities—the town of Tours, the basilica of Saint-Martin there, and the abbey of Marmoutier nearby—all defined themselves through the cult of Saint Martin. She demonstrates how in the early Middle Ages the bishops of Tours used the cult of Martin, their fourthcentury predecessor, to shape an idealized image of Tours as Martin's town. As the heirs to Martin's see, the bishops projected themselves as the rightful leaders of the community. However, in the late eleventh century, she shows, the canons of Saint-Martin (where the saint's relics resided) and the monks of Marmoutier (which Martin had founded) took control of the cult and produced new legends and rituals to strengthen their corporate interests. Since the basilica and the abbey differed in their spiritualities, structures, and external ties, the canons and monks elaborated and manipulated Martin's cult in quite different ways. Farmer shows how one saint's cult lent itself to these varying uses, and analyzes the strikingly dissimilar Martins that emerged. Her skillful inquiry into the relationship between group identity and cultural expression illuminates the degree to which culture is contested territory. Farmer's rich blend of social history and hagiography will appeal to a wide range of medievalists, cultural anthropologists, religious historians, and urban historians.

Sharon Farmer here investigates the ways in which three medieval communities—the town of Tours, the basilica of Saint-Martin there, and the abbey of Marmoutier nearby—all defined themselves through the cult of Saint Martin. She demonstrates how in the early Middle Ages the bishops of Tours used the cult of Martin, their fourthcentury predecessor, to shape an idealized image of Tours as Martin's town. As the heirs to Martin's see, the bishops projected themselves as the rightful leaders of the community. However, in the late eleventh century, she shows, the canons of Saint-Martin (where the saint's relics resided) and the monks of Marmoutier (which Martin had founded) took control of the cult and produced new legends and rituals to strengthen their corporate interests. Since the basilica and the abbey differed in their spiritualities, structures, and external ties, the canons and monks elaborated and manipulated Martin's cult in quite different ways. Farmer shows how one saint's cult lent itself to these varying uses, and analyzes the strikingly dissimilar Martins that emerged. Her skillful inquiry into the relationship between group identity and cultural expression illuminates the degree to which culture is contested territory. Farmer's rich blend of social history and hagiography will appeal to a wide range of medievalists, cultural anthropologists, religious historians, and urban historians.

Regine Pernoud, the highly acclaimed French medieval historian, and author of best-selling titles on Joan of Arc and Hildegard of Bingen, as well as the book Those Terrible Middle Ages, presents an enlighteneing biography of one of France's most revered saints, and man whose impact on France, and Europe, continues to this days. Martin of Tours lived in the 4th century, at that great turning point in history when the Roman Empire fell and the Church took charge in the West. He left a successful career in the military life to become a monk, and later a Bishop who traveled extensively, evangelizing the countryside and creatiung that particular sort of community life in a village that is now called a "parish." More than four hundred towns and some four thousand parished in France are named after St. Martin. The term "chapel" is derived from the actual church where pilgrims venerate Martin's "cape" or cloak. Martin of Tours was a servant of the common man, as well as the nobility, and a very humble man who responded to the needs of his times and and opened up vast perspectives for ordinary, everyday life. Given the crisis of the Christian Faith now facing France and all of Europe, the story of this solider and great apostle and Christian evangelist is a timely one indeed.

The first study to explore the music of St Martin's cult and its influence upon medieval religion, art and politics.

Discover the unique wildlife of the island of Saint Martin/Sint Maarten with vivid color photos and fascinating descriptions of its mammals, birds, reptiles, amphibians and invertebrates. This guide includes commonly-seen species, animals that are found only on this island, and many strange and unusual creatures that are seldom spotted anywhere. Based on over three years of fieldwork, this entertaining book combines scientific, cultural and historical research to tell the story of the fauna of St. Martin, and their relationship with the island and its people. This revised and expanded second edition includes over 500 color photographs, and special sections about the diverse habitats on the island, island ecology, and the history of biological research on Saint Martin. It is the perfect introduction to the island's wildlife for people of all ages who are curious about the natural world around them.

Saint Martin of Tours was the third bishop of Tours. He has become one of the most familiar and recognizable Christian saints in Western tradition. A native of Pannonia, he converted to Christianity at a young age. He served in the Roman cavalry in Gaul, but left military service at some point prior to 361, when he embraced Trinitarianism and became a disciple of Hilary of Poitiers, establishing the monastery at Ligugé. He was consecrated as Bishop of Caesarodunum (Tours) in 371. As bishop, he was active in the suppression of the remnants of Gallo-Roman religion, but he opposed the violent persecution of the Priscillianist sect of ascetics.