Native plants are drought tolerant, disease resistant, wildlife friendly, and environmentally sound. Experts increasingly encourage gardeners to use natives exclusively. This handy and practical guide focuses on 100 great native flowers, ground covers, shrubs, ferns, and grasses that will thrive in New England gardens. The presentation is aimed at gardeners, who want concise, practical information. It will also include material on the importance and desirability of using native plants. The heart of this book is 100 two-page spreads, one for each species. The spreads will include facts about the plant of use to a gardener (not a botanist)—where it grows best, when it blooms, the soil conditions in which it thrives, its appeal to wildlife, sunlight requirements, how high it grows, how to propagate it, and how to avoid any problems particular to the species. Each spread will also feature two color photos.

Diseases of Trees and Shrubs is a comprehensive pictorial survey of the diseases of, as well as the environmental damage to, forest and shade trees and woody ornamental plants in the United States and Canada. An authoritative reference, it is also a reliable and handy diagnostic tool that will simplify the identification of specific plant diseases by focusing on signs and symptoms that can be seen with the unaided eye or with a hand lens. This long-needed book gives readers complete, up-to-date information in an easily understood and convenient way. Each of the 247 color plates faces a page of explanatory text covering the biology and ecology (including host and geographic ranges) of the disease-causing agents (pathogens), a list of key references (there are more than 2,250), and, in some cases, black-and-white illustrations of pathogens. Selected information about biological and cultural control is provided. Scientific terms other than Latin names of pathogens are used only when necessary, and a glossary of terms and a comprehensive index are included. The color plates contain more than 1,700 illustrations of the diseases and injuries that some 350 biological agents and environmental factors cause to more than 250 species of plants. The book also serves as a guide to hundreds of other diseases related to those shown. The authors have used three levels of organization for this book. At the first level, diseases caused by biological agents are separated from those caused by environmental stimuli. At the second level, most diseases are grouped according to the plant part affected: leaves, twigs, limbs, roots, trunks, or the entire plant. At the third level, diseases are presented according to the taxonomic relationships among the pathogens. For this major project, the authors examined and photographed diseases and environmental damage in the field, visiting more than 50 states and Canadian provinces. Their book reflects the most important developments in fungal biology and taxonomy, plant bacteriology, virology, and environmentally induced stress in plants. It summarizes information about newly discovered diseases and provides up-to-date accounts of olds ones. Diseases of Trees and Shrubs can be profitable reading for anyone whose technical training does not extend beyond general biology, yet will also be informative to advanced students and plant pathologists. It will be welcomed by agricultural and horticultural advisers, plant inspectors, arborists, nursery professionals, landscapers, foresters, and urban planners. Wayne A. Sinclair is a Professor of Plant Pathology, Howard H. Lyon is Biological Photographer (retired), Department of Plant Pathology, and Warren T. Johnson is Professor of Entomology, all at Cornell University.

'Elm Street' has satisfied America's quest for a pastoral urbanism since the time of Jefferson.

The definitive field guide to the trees of North America, featuring maps, detailed illustrations, and information on more than 600 species of trees, from the preeminent, bestselling author and illustrator “A beautiful, masterful, and much-needed work that will henceforth be our guide to the North American trees.”—Edward O. Wilson The Sibley Guide to Trees is an astonishingly elegant guide to a complex subject. It condenses a huge amount of information about tree identification—more than has ever been collected in a single book—into a logical, accessible, easy-to-use format. With more than 4,100 meticulous, exquisitely detailed paintings, the Guide highlights the often subtle similarities and distinctions between more than 600 tree species—native trees as well as many introduced species. More than 500 maps show the complete range, both natural and cultivated, for nearly all species. No other guide has ever made field identification so clear. Highlighted features include: • leaves (including multiple leaf shapes and fall leaf color) • bark • needles • cones • flowers • fruit • twigs • silhouettes Trees are arranged taxonomically, with all related species grouped together. By focusing on the fundamental characteristics of, for example, oaks or chestnuts or hickories, the Guide helps the user recognize these basic species groups the same way birders recognize thrushes, warblers, or sparrows. In addition, there are essays on taxonomy, on the cultivation of trees, and on conservation issues, reflecting Sibley’s deep concern with habitat preservation and environmental health. An important contribution to our understanding of the natural world, The Sibley Guide to Trees is a necessity for every tree lover, traveler, and naturalist.

The main body of Trees of New England consists of 19 ink drawings of trees common to the Pioneer Valley of Massachusetts, southern Vermont and southern New Hampshire. My motivation came from the lack of leaf images with sufficient quality to do key driven tree identification. The use of leaf keys is a means to train the eye for details relevant to distinguishing species well beyond the 19 found in this book. In general, detail found in commercial field guides is limited, and the higher-quality older etchings are difficult to find and ornate in style. It might seem that this need could be fully realized through the Internet, but for learning tree identification by key, the Internet has its own limitation. Each of the 19 drawings is an attempt to produce a realistic image with a focus on identifiable features. All the images were produced from multiple samples with an eye to capturing an archetypal representation of the species. The aesthetic was to create a precise, unembellished series of drawings in which the beauty of nature’s designs would be manifest.