Winner of the Samuel Johnson Prize An unprecedented, groundbreaking history of China's Great Famine that recasts the era of Mao Zedong and the history of the People's Republic of China. "Between 1958 and 1962, China descended into hell. Mao Zedong threw his country into a frenzy with the Great Leap Forward, an attempt to catch up to and overtake Britain in less than 15 years The experiment ended in the greatest catastrophe the country had ever known, destroying tens of millions of lives." So opens Frank Dikötter's riveting, magnificently detailed chronicle of an era in Chinese history much speculated about but never before fully documented because access to Communist Party archives has long been restricted to all but the most trusted historians. A new archive law has opened up thousands of central and provincial documents that "fundamentally change the way one can study the Maoist era." Dikötter makes clear, as nobody has before, that far from being the program that would lift the country among the world's superpowers and prove the power of Communism, as Mao imagined, the Great Leap Forward transformed the country in the other direction. It became the site not only of "one of the most deadly mass killings of human history,"--at least 45 million people were worked, starved, or beaten to death--but also of "the greatest demolition of real estate in human history," as up to one-third of all housing was turned into rubble). The experiment was a catastrophe for the natural world as well, as the land was savaged in the maniacal pursuit of steel and other industrial accomplishments. In a powerful mesghing of exhaustive research in Chinese archives and narrative drive, Dikötter for the first time links up what happened in the corridors of power-the vicious backstabbing and bullying tactics that took place among party leaders-with the everyday experiences of ordinary people, giving voice to the dead and disenfranchised. His magisterial account recasts the history of the People's Republic of China.

An ancient Greek vase is a difficult object for the non-expert to come to terms with. Faced with rows of apparently undifferentiated black, red and buff pots, he or she is at a loss as to where to begin. Greek vases are treated as objets d'art in the modern world, but how much were they worth in the ancient? They are often used to demonstrate 'the Greek genius' and aspects of ancient Greek society, but why do many of them carry Eastern motifs, and why do so many turn up in Italy? Why were the Greeks not content with simple patterns on their pottery? What did the pictures on the pots mean to them? Why should a vase depict a scene from a play? These are the sorts of questions that this book, first published in 1991, attempts to answer. As the title implies, it is a series of 'looks' at Greek vases, offering suggestions on how to read the often complex images they present.