The Comet (1920) is a science fiction story by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging black artists of the Harlem Renaissance, The Comet is a pioneering work of speculative fiction which imagines a catastrophic event not only decimating New York City, but bringing an abrupt end to white supremacy. “How silent the street was! Not a soul was stirring, and yet it was high-noon—Wall Street? Broadway? He glanced almost wildly up and down, then across the street, and as he looked, a sickening horror froze in his limbs.” Sent to the vault to retrieve some old records, bank messenger Jim Davis emerges to find a city descended into chaos. A comet has passed overhead, spewing toxic fumes into the atmosphere. All of lower Manhattan seems frozen in time. It takes him a few moments to see the bodies, piled into doorways and strewn about the eerily quiet streets. When he comes to his senses, he finds a wealthy woman asking for help. Soon, it becomes clear that they could very well be the last living people in the planet, that the fate of civilization depends on their ability to come together, not as black and white, but as two human beings. But how far will this acknowledgment take them? With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois’ The Comet is a classic work of African American literature reimagined for modern readers.

In a lively investigation into the boundaries between popular culture and early-modern science, Sara Schechner presents a case study that challenges the view that rationalism was at odds with popular belief in the development of scientific theories. Schechner Genuth delineates the evolution of people's understanding of comets, showing that until the seventeenth century, all members of society dreaded comets as heaven-sent portents of plague, flood, civil disorder, and other calamities. Although these beliefs became spurned as "vulgar superstitions" by the elite before the end of the century, she shows that they were nonetheless absorbed into the science of Newton and Halley, contributing to their theories in subtle yet profound ways. Schechner weaves together many strands of thought: views of comets as signs and causes of social and physical changes; vigilance toward monsters and prodigies as indicators of God's will; Christian eschatology; scientific interpretations of Scripture; astrological prognostication and political propaganda; and celestial mechanics and astrophysics. This exploration of the interplay between high and low beliefs about nature leads to the conclusion that popular and long-held views of comets as divine signs were not overturned by astronomical discoveries. Indeed, they became part of the foundation on which modern cosmology was built.

The diminutive size of cometary bodies is in no way proportional to their scientific importance. Theorists suggest that comets played a major role in the development of the Earth and subsequent collosions of comets may have wiped out various life forms, allowing only the most adaptable to develop further. In short, the study of comets is important from a historical perspective, scientifically compelling and, at the same time, entertaining. In this authoritative book, the development of cometary ideas is traced from antiquity through the actual fly-by of Halley by international spacecraft in 1986. The focus is on the cometary theories that were evident in each era. Included are many colorful anecdotes and information about culture and important personalities throughout history. Also contains an exhaustive catalog of all comet apparitions through the year 1700.

Publisher Description

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS From the acclaimed author of Letter to My Daughter comes an engrossing coming-of-age tale that deftly conveys the hopes and heartaches of adolescence and the unfulfilled dreams that divide a family, played out against the backdrop of a small southern town in 1973. For his fourteenth birthday, Alan Broussard, Jr., receives a telescope from his father, a science teacher at the local high school who’s eagerly awaiting what he promises will be the astronomical event of the century: the coming of Comet Kohoutek. For Alan Broussard, Sr.—frustrated in his job, remote from his family—the comet is a connection to his past and a bridge to his son, with whom he’s eager to share his love for the stars. But the only heavenly body Junior has any interest in is his captivating new neighbor and classmate, Gabriella Martello, whose bedroom sits within eyeshot of his telescope’s lens. Meanwhile, his mother, Lydia, sees the comet—and her husband’s obsession with it—as one more thing that keeps her from the bigger, brighter life she once imagined for herself far from the swampy environs of Terrebonne, Louisiana. With Kohoutek drawing ever closer, the family begins to crumble under the weight of expectations, until a startling turn of events will leave both father and son much less certain about the laws that govern their universe. Illuminating and unforgettable, The Night of the Comet is a novel about the perils of growing up, the longing for connection, and the idea that love and redemption can be found among the stars. Praise for The Night of the Comet “A quiet, occasionally bittersweet novel about the differences between desire and disappointment, expectations and reality.”—Booklist “Coming-of-age novels examine youthful revelations about the world—filled with cynicism and wonder and rearranged expectations—and the quality hinges on the honesty of the voice, the truth of the observations, the handling of innocence lost; Bishop succeeds on all these fronts.”—Kirkus Reviews “Resonant . . . explores the complexities of a father-son relationship through science, astronomy, and the growing pains of adolescence. . . . Bishop’s characterizations of young Alan’s mother, father, and sister Megan are endearing and their relentless coddling of their maturing son is wincingly accurate.”—Publishers Weekly “Hilarious and heart-wrenching, ethereal and earthy, The Night of the Comet points us to the fragile universe of dreams and disappointments, joy and tragedy, saying here it is, all of it: feast your eyes on the magic. It’s a heavenly book. Nobody writes about the gravitational pull of parent-child relationships—all that we yearn for and all that we can’t have—like George Bishop.”—Minrose Gwin, author of The Queen of Palmyra “Equally sweet and sad, this is a fine novel of love and forgiveness.”—Stewart O’Nan, author of Snow Angels “Bishop’s one of our best, and this book’s a quiet marvel.”—Josh Russell, author of Yellow Jack “A deft, clear-eyed, and sensitive examination of the mysterious bonds of family, the allure of the unattainable, and love and desire—and their consequences—in all their many forms.”—Ellen Baker, author of I Gave My Heart to Know This