The Watchmen Companion collects for the first time long-out-of-print, rarely seen material based on the landmark comic book series! The Watchmen Companion includes the Watchmen: Watching the Watchmen and Watchmen: Taking out the Trash game modules, along with the Watchmen Sourcebook, released in 1990 as part of the DC Heroes role-playing game-sanctioned by Alan Moore, including illustrations by artist Dave Gibbons created especially for the game, and expanding on the mythos of the Watchmen series. This volume also collects pages from Who's Who in The DC Universe featuring the Watchmen and Minutemen characters, The Question #17 (guest-starring Rorschach!) and a page from the rare, promotional DC Spotlight #1 from 1985 that marked the very first appearance of the Watchmen cast in print!

#1 NEW YORK TIMES BESTSELLER • WASHINGTON POST BESTSELLER • WALL STREET JOURNAL BESTSELLER • LOS ANGELES TIMES BESTSELLER “I've always looked upon cartooning as comedy’s last frontier. I have done stand-up, sketches, movies, monologues, awards show introductions, sound bites, blurbs, talk show appearances, and tweets, but the idea of a one-panel image with or without a caption mystified me. I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny. You can understand that I was deeply suspicious of these people who are actually funny.” So writes the multitalented comedian Steve Martin in his introduction to A Wealth of Pigeons: A Cartoon Collection. In order to venture into this lauded territory of cartooning, he partnered with the heralded New Yorker cartoonist Harry Bliss. Steve shared caption and cartoon ideas, Harry provided impeccable artwork, and together they created this collection of humorous cartoons and comic strips, with amusing commentary about their collaboration throughout. The result: this gorgeous, funny, singular book, perfect to give as a gift or to buy for yourself.

A footy fan's memoir of a life on the outer looking in. Late 1970s, suburban Melbourne. Another time, another world. COP SHOP is the hottest show on television and Malcolm Fraser has set up house in The Lodge. Skyhooks are corrupting young minds and Simon Townsend still has Woodrow by his side. Against this backdrop of political upheaval and social unrest, a young boy discovers Australian Rules Football and the man who will shape his destiny - St Kilda star Trevor Barker. Soon, his flirtation with the sport becomes an obsession and weekend trips to the outer assume an almost religious significance. But a new decade brings with it new hormones, and soon our hero is trading in his football cards for condoms. Nothing, however, is quite as easy as it seems. Taking up where FEVER PITCH left off, SATURDAY AFTERNOON FEVER is the poignant and funny memoir of one socially confused football fan's painful journey into adulthood and the ups and downs of his beloved club's bumpy ride into the 1980s and beyond.

Although he called himself merely a “printer” in his will, Benjamin Franklin could have also called himself a diplomat, a doctor, an electrician, a frontier general, an inventor, a journalist, a legislator, a librarian, a magistrate, a postmaster, a promoter, a publisher—and a humorist. John Adams wrote of Franklin, “He had wit at will. He had humor that when he pleased was pleasant and delightful . . . [and] talents for irony, allegory, and fable, that he could adapt with great skill, to the promotion of moral and political truth.” In Benjamin Franklin’s Humor, author Paul M. Zall shows how one of America’s founding fathers used humor to further both personal and national interests. Early in his career, Franklin impersonated the feisty widow Silence Dogood in a series of comically moralistic essays that helped his brother James outpace competitors in Boston’s incipient newspaper market. In the mid-eighteenth century, he displayed his talent for comic impersonation in numerous editions of Poor Richard’s Almanac, a series of pocket-sized tomes filled with proverbs and witticisms that were later compiled in Franklin’s The Way to Wealth (1758), one of America’s all-time bestselling books. Benjamin Franklin was sure to be remembered for his early work as an author, printer, and inventor, but his accomplishments as a statesman later in life firmly secured his lofty stature in American history. Zall shows how Franklin employed humor to achieve desired ends during even the most difficult diplomatic situations: while helping draft the Declaration of Independence, while securing France’s support for the American Revolution, while brokering the treaty with England to end the War for Independence, and while mediating disputes at the Constitutional Convention. He supervised and facilitated the birth of a nation with customary wit and aplomb. Zall traces the development of an acute sense of humor throughout the life of a great American. Franklin valued humor not as an end in itself but as a means to gain a competitive edge, disseminate information, or promote a program. Early in life, he wrote about timely topics in an effort to reach a mass reading class, leaving an amusing record of early American culture. Later, Franklin directed his talents toward serving his country. Regardless of its origin, the best of Benjamin Franklin’s humor transcends its initial purpose and continues to evoke undying laughter at shared human experiences.

A celebration of the wacky and wonderful Jewish grandmothers who nurtured the author as she grew from a kid struggling with anxiety and insecurity to a teen finding her own voice. This memoir, told in graphic novel format, is a personal celebration of the author's charming and eccentric family and how they saved her from the machinations of her own brain. The book centers around the author's Jewish grandmothers, and the unique role they play in her life. It explores resonant adolescent topics of body image, self-determination, insecurity, fear, religious identity, politics, friendship, romantic love, and family relationships.

American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "frontier thesis" influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations.