Recounts the events of a decisive summer for a Tsimshian Indian boy growing up in Alaska in the 1940's.

A young girl crippled by polio feels a special need to save the life of an albino deer with a broken hip.

A selection of Kotler's previously published writings, updated, on pivotal and controversial advances in science and technology.--

Based on the spellbinding world of the Walt Disney Studios film, Tomorrowland, this original prequel novel unlocks a place of unfathomable science and technology and the famous people behind it. The year is 1939. A secret society of extraordinary geniuses is about to share an incredible discovery with the world. A misguided enemy--half man, half machine--will stop at nothing to prevent the group from giving this forbidden knowledge to humanity. And a mother and son on vacation in New York City are handed a comic book infused with a secret code that will lead them straight into the crossfires of the conspiracy. Don't forget to download the FREE comic book companion, The Secret History of the World of Tomorrowland!​

Motivated by potentially turning Flushing Meadows, literally a land of refuse, into his greatest public park, Robert Moses—New York's "Master Builder"—brought the World's Fair to the Big Apple for 1964 and '65. Though considered a financial failure, the 1964-65 World' s Fair was a Sixties flashpoint in areas from politics to pop culture, technology to urban planning, and civil rights to violent crime. In an epic narrative, the New York Times bestseller Tomorrow-Land shows the astonishing pivots taken by New York City, America, and the world during the Fair. It fetched Disney's empire from California and Michelangelo's La Pieta from Europe; and displayed flickers of innovation from Ford, GM, and NASA—from undersea and outerspace colonies to personal computers. It housed the controversial work of Warhol (until Governor Rockefeller had it removed); and lured Ken Kesey and the Merry Pranksters. Meanwhile, the Fair—and its house band, Guy Lombardo and his Royal Canadians—sat in the musical shadows of the Beatles and Bob Dylan, who changed rock-and-roll right there in Queens. And as Southern civil rights efforts turned deadly, and violent protests also occurred in and around the Fair, Harlem-based Malcolm X predicted a frightening future of inner-city racial conflict. World's Fairs have always been collisions of eras, cultures, nations, technologies, ideas, and art. But the trippy, turbulent, Technicolor, Disney, corporate, and often misguided 1964-65 Fair was truly exceptional.

Read along with Disney! When Miles Callisto and his trusty robot Merc are unknowingly kidnapped aboard their family's spaceship, the Stellosphere, they must find a way to thwart the villainous Gadfly and return the Stellosphere to safety in this super-stellar adventure! Follow along with word-for-word narration as Miles and Merc save the day!

Linking Margaret Mead to the Mickey Mouse Club and behaviorism to Bambi, Nicholas Sammond traces a path back to the early-twentieth-century sources of “the normal American child.” He locates the origins of this hypothetical child in the interplay between developmental science and popular media. In the process, he shows that the relationship between the media and the child has long been much more symbiotic than arguments that the child is irrevocably shaped by the media it consumes would lead one to believe. Focusing on the products of the Walt Disney company, Sammond demonstrates that without a vision of a normal American child and the belief that movies and television either helped or hindered its development, Disney might never have found its market niche as the paragon of family entertainment. At the same time, without media producers such as Disney, representations of the ideal child would not have circulated as freely in American popular culture. In vivid detail, Sammond describes how the latest thinking about human development was translated into the practice of child-rearing and how magazines and parenting manuals characterized the child as the crucible of an ideal American culture. He chronicles how Walt Disney Productions’ greatest creation—the image of Walt Disney himself—was made to embody evolving ideas of what was best for the child and for society. Bringing popular child-rearing manuals, periodicals, advertisements, and mainstream sociological texts together with the films, tv programs, ancillary products, and public relations materials of Walt Disney Productions, Babes in Tomorrowland reveals a child that was as much the necessary precursor of popular media as the victim of its excesses.