Bob Black was a member of Bill Monroe's Blue Grass Boys in the 1970s. Black's memoir of his time with the man he called the Chief offers the unique vantage point of a man who traveled and performed extensively with the Father of Bluegrass at a time when the music had opened up to new audiences--and Monroe had become a living legend. Both role model and taskmaster, Monroe exerted a profound influence on Black and the musicians who have carried on the bluegrass tradition. In addition to Black's one-of-a-kind story, Come Hither to Go Yonder includes complete listing of Black's appearances with Monroe, recollections of the memorable experiences they shared while working together, descriptions of other important musicians and bands, and suggestions for further reading and listening. Offering a rare perspective on the creative forces that drove one of America's greatest composers and musical innovators, Come Hither to Go Yonder rewards fans of Bill Monroe and bluegrass while offering an insider's view of a crucial time in the music's history.

As Bill Monroe is commonly lauded as the father of bluegrass music, his tunes are standard repertoire and should be studied and memorized by any serious student of bluegrass. This book is a collection of transcriptions in notation and tablature taken from classic instrumentals recorded over a span of 40 years, from the early 1940s to the early 1980s. It functions as a fake book for bluegrassstudents to learn the original melody or to study Monroe's playing style. The melodies were played by mandolin, fiddle, twin fiddles, or triple fiddles, and are grouped accordingly. Generally included with the fiddle melody is a transcription of the mandolin break. These transcriptions, along with the discography, will be animportant resource for any student of bluegrass music

"Christmas When Music Almost Killed the World" combines popular music culture, science fiction fantasy, and horror to create a uniquely engaging metaphysical epic. The story takes us inside the world of Danny Blue, a young man struggling to make peace with the death of his girlfriend, a gifted artist named Valerie Hyerman whose passing sparks the creation of a controversial spiritual movement. Was her death suicide, murder, or something completely different from either? The stunning truth unfolds in Froggtown, a college community where many people are said to have ?died dirty? and wander the streets in search of release from a spiritual limbo. Such a town seems an unlikely place for a superstar musician like Jimmy Redfyre to kick off his tour on Christmas Eve, or for his main rival Ruzahn to keep popping up in Danny Blue?s life. Both musicians, it turns out, are something much more than entertainers. And both, for some reason, have released songs about Danny?s life? Equally bizarre are the strange changes he begins to experience as he seems to evolve from an ordinary human to something not so ordinary at all. Written with the visionary intensity of Franz Kafka, the mystical poetics of Khalil Gibran, and the psychological complexity of Philip K. Dick, "Christmas When Music Almost Killed the World" is a one-of-kind work of extraordinary modern fiction.

"List of publications of the Bureau of American Ethnology (comp. by Frederick Webb Hodge)":