WINNER OF THE CRIME WRITERS' ASSOCIATION DIAMOND DAGGER AWARD 2017 Ann Cleeves Classic Crime - engaging mysteries to savour, beloved characters to meet again Come Death and High Water is the second novel featuring George and Molly Palmer-Jones by Ann Cleeves, author of the Shetland and Vera Stanhope crime series. The privately-owned island of Gillibry off the North Devon coast is the perfect site for murder. A routine weekend visit by the Gillibry Bird Observatory Trust is made memorable by the owner's announcement that he is going to sell the island. A sale would mean the end of the Observatory. . . and of all that, for some of them, made life worth living. A fire in Charlie Todd's cottage added to their distress. And when, next morning, after a fierce storm, they found Charlie dead in a bird hide, their pleasant September weekend assumed a dangerous new face. Charlie Todd's murder could have been the deed of any member of the Trust. And it falls to one of their own, George Palmer-Jones, to unravel the identity of killer within their midst.

Ann Cleeves Classic Crime - engaging mysteries to savour, beloved characters to meet again Come Death and High Water is the second mystery novel featuring George and Molly Palmer-Jones by Ann Cleeves, author of the Shetland and Vera Stanhope crime series. The picturesque privately-owned island of Gillibry off the North Devon coast turns out to be the perfect site for a murder . . . A routine weekend visit by the Gillibry Bird Observatory Trust is made memorable by the owner’s announcement that he is going to sell the island. A sale would mean the end of the Observatory, which for some of the birders made life worth living. A fire in Charlie Todd’s cottage added to their distress. And when, next morning, after a fierce storm, they found Charlie dead in a bird hide, their pleasant September weekend assumed a dangerous new face. Charlie Todd’s murder could have been the deed of any member of the Trust. And it falls to one of their own, George Palmer-Jones, to unravel the identity of killer within their midst . . .

What Hurricane Katrina reveals about the fault lines of race and poverty in America-and what lessons we must take from the flood-from best-selling ''hip-hop intellectual'' Michael Eric Dyson Does George W. Bush care about black people? Does the rest of America? When Hurricane Katrina tore through New Orleans and the Gulf Coast, hundreds of thousands were left behind to suffer the ravages of destruction, disease, and even death. The majority of these people were black; nearly all were poor. The federal government's slow response to local appeals for help is by now notorious. Yet despite the cries of outrage that have mounted since the levees broke, we have failed to confront the disaster's true lesson; to be poor, or black, in today's ownership society, is to be left behind. Displaying the intellectual rigor, political passion, and personal empathy that have won him fans across the color line, Michael Eric Dyson offers a searing assessment of the meaning of Hurricane Katrina. Combining interviews with survivors of the disaster with his deep knowledge of black migrations and government policy over decades, Dyson provides the historical context that has been sorely missing from public conversation. He explores the legacy of black suffering in America since slavery, including the shocking ways that black people are framed in the national consciousness even today. With this call-to-action, Dyson warns us that we can only find redemption as a society if we acknowledge that Katrina was more than an engineering or emergency response failure. From the TV newsroom to the Capitol Building to the backyard, we must change the ways we relate to the black and the poor among us. What's at stake is no less than the future of democracy.

Read these fascinating accounts from steamboat passengers, crews and newspapermen from the nineteenth century. This book explores all aspects of steamboating on the Mississippi and Ohio Rivers, from vessel construction to races and accidents.

Nola Cespedes, an ambitious young reporter at the Times-Picayune, finally catches a break: an assignment to write her first full-length feature. While investigating her story, she also becomes fixated on the search for a missing tourist in the French Quarter. As Nola's work leads her into a violent criminal underworld, she's forced to face disturbing truths from her own past and is confronted with the question: In the aftermath of devastation, who is responsible for rebuilding what's been broken? Vividly rendered in razor-sharp prose, this haunting thriller is a riveting journey of trust betrayed--and the courageous struggle to rebuild. Fast-paced, atmospheric, and with a knockout twist, Hell or High Water features an unforgettable heroine as fascinating and multilayered as New Orleans itself.

Mystery turns to mortal danger as one young man’s quest to clear his father’s name ensnares him in a net of deceit, conspiracy, and intrigue in 1750s England. Caleb has spent his life roaming southern England with his Pa, little to their names but his father’s signet ring and a puppet theater for popular, raunchy Punch and Judy shows — until the day Pa is convicted of a theft he didn’t commit and sentenced to transportation to the colonies in America. From prison, Caleb’s father sends him to the coast to find an aunt Caleb never knew he had. His aunt welcomes him into her home, but her neighbors see only Caleb’s dark skin. Still, Caleb slowly falls into a strange rhythm in his new life . . . until one morning he finds a body washed up on the shore. The face is unrecognizable after its time at sea, but the signet ring is unmistakable: it can only be Caleb’s father. Mystery piles on mystery as both church and state deny what Caleb knows. From award-winning British author Tanya Landman comes a heart-stopping story of race, class, family, and corruption so deep it can kill.