For a lifetime Kees Versteegh played a leading role in Arabic linguistics, dialects (diglossia, creolization, pidginization), the history of Arabic grammar, and other fields related to Arabic. From among his global contacts, colleagues contributed to a Liber Amicorum in appreciation of his stimulating efforts to reopen, deepen and complete our knowledge of Arabic Grammar and Linguistics. In three sections, History, Linguistics and Dialects, 27 contributors discuss (alphabetically): bilingual verb construction; contractual language; current developments; language description; language use; lexicology; organization of language; pause; sentence types; and specific topics: ʾallaḏī; featuring; government; homonymy; ʾiḍmār; inflection; maṣdar; the origin of grammatical tradition; variety conflicts; and verbal schematic (ir)regularities; waqf; and ẓarf.

Haley Daye reconnects with Asher Wells, her childhood best friend. Dissatisfied with their lives, they embark on a journey that will change the both of them forever.

When the first European missionaries arrived on other continents, it was decided that the indigenous languages would be used as the means of christianization. There emerged the need to produce grammars and dictionaries of those languages. The study of this linguistic material has so far not received sufficient attention in the field of linguistic historiography. This volume is the first published collection of papers on missionary linguistics world-wide; it represents the insights of recent research, containing an introduction and papers on methodology, meta-historiography, the historical and cultural background. The book contains studies about early-modern linguistic works written in Spanish, Portuguese, English and French, describing among others indigenous languages from North America and Australia, Maya, Quechua, Xhosa, Japanese, Kapampangan, and Visaya. Topics dealt with include: innovations of individual missionaries in lexicography, grammatical analysis, phonology, morphology, or syntax; creativity in descriptive techniques; differences and/or similarities of works from different continents, and different religious backgrounds (Catholic or Protestant).

"Elizabeth Agyemang smartly weaves culture, adventure, and a little magic into a dynamic story about stories. Agyemang's colorful illustrations breathe life into Nana's journey as she connects with her roots and learns to believe in her own voice. At its core, FIBBED is a bold reminder that stories—and those who tell them—have power." —Booki Vivat, New York Times bestselling author of the Frazzled series A magical middle-grade graphic novel about a girl who doesn’t lie but no one believes, and who winds up tangled in the web of a trickster spider of Ghanaian lore, Ananse. Everyone says that the wild stories Nana tells are big fibs. But she always tells the truth, as ridiculous as it sounds to hear about the troupe of circus squirrels stealing her teacher’s toupee. When another outlandish explanation lands her in hot water again, her parents announce that Nana will be spending the summer with her grandmother in Ghana. She isn’t happy to be missing the summer camp she’s looked forward to all year, or to be living with family that she barely knows, in a country where she can’t really speak the native language. But all her worries get a whole lot bigger—literally—when she comes face-to-face with Ananse, the trickster spider of legend. Nana soon discovers that the forest around the village is a place of magic watched over by Ananse. But a group of greedy contractors are draining the magic from the land, intent on selling the wishes for their own gain. Nana must join forces with her cousin Tiwaa, new friend Akwesi, and Ananse himself to save the magic from those who are out to steal it before the magic—and the forest—are gone for good.

From invisible PA… Tycoon Cam Hillier requires a suitably attractive young lady to grace his arm at this season’s fundraising party, but time is running out. So Cam must turn his attention to the woman right under his nose—his dowdy PA, Liz Montrose. To belle of the ball! "Personal duties" were not in Liz’s job description—but, with her little daughter to clothe and feed, she knows she must go above and beyond. But there will be no sensible suits or thick-rimmed glasses to hide behind tonight! Cam’s never noticed her before…but all that’s about to change!