Raised in Japan and Hawaii, Sam Hamada has been trained in the ways of the samurai. After graduation Sam strikes out for California and falls in love for the first time, with a beautiful young woman named Keiko. But then the Japanese attack Peal Harbor, igniting the war and making Sam, Keiko, and their families enemies of the state. Drafted into the U.S. Army, sent on a secret mission, Sam’s very identity both puts his life at risk and gives him the strength he needs to survive. Taking us from the lush Hawaiian Islands of the 1930s to the wartime world of madness in Hiroshima, Color of the Sea is the unforgettable story of one Japanese boy’s coming-of-age.

Sea turtles, coral reef–dwelling fish, dolphins, and other marine creatures populate these full-page pictures. Lightly printed numbers corresponding to a key offer simple guides to perfect shading and realistic effects.

Discover a world of creativity and tradition in this fascinating picture book that explores the history and cultural significance of the color blue. From a critically acclaimed author and an award-winning illustrator comes a vivid, gorgeous book for readers of all ages. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • New York Public Library • Chicago Public Library • Kirkus Reviews For centuries, blue powders and dyes were some of the most sought-after materials in the world. Ancient Afghan painters ground mass quantities of sapphire rocks to use for their paints, while snails were harvested in Eurasia for the tiny amounts of blue that their bodies would release. And then there was indigo, which was so valuable that American plantations grew it as a cash crop on the backs of African slaves. It wasn't until 1905, when Adolf von Baeyer created a chemical blue dye, that blue could be used for anything and everything--most notably that uniform of workers everywhere, blue jeans. Nana Ekua Brew-Hammond's riveting text combined with stunning illustrations from Caldecott Honor Artist Daniel Minter, this vibrant and fascinating picture book follows one color's journey through time and across the world, as it becomes the blue we know today.

An artist marooned on a remote island in the Arafura Sea contemplates his survival chances. He understands his desperate plight and the ocean's unrelenting power. But what is its true colour? A beguiling young woman nurses a baby by a lake while hiding brutal scars. Uneasy descendants of a cannibal victim visit the Pacific island of their ancestor's murder. A Caribbean cruise of elderly tourists faces life with wicked optimism. Witty, clever, ever touching and always inventive, the eleven stories in The True Colour of the Seatake us to many varied coasts- whether a tense Christmas holiday apartment overlooking the Indian Ocean or the shabby glamour of a Cuban resort hotel. Relationships might be frayed, savaged, regretted or celebrated, but here there is always the life-force of the ocean - seducing, threatening, inspiring. In The True Colour of the Sea,Robert Drewe - Australia's master of the short story form - makes a gift of stories that tackle the big themes of life- love, loss, desire, family, ageing, humanity and the life of art.

Children will swim with joy as they discover the rainbow of colors under the sea. Creatures of all sizes and colors entertain and educate the youngest of readers. This colorful board book with chunky die-cut tabs makes page turning easy. Rhyming text and colorful illustrations will engage children over and over again.

Since the pioneering work of Clarke et a1. (1970) it has been known that chlorophyll a (or. more generally. pigments) contained in phytoplankton in near-surface waters produced systematic variations in the color of the ocean which could be observed from aircraft. As a direct result of this work. NASA developed the Coastal Zone Color Scanner (CZCS). which was launched on Nimbus-G (now Nimbus-7) in October 1978. (A short description of the CZCS is provided in Appendix I. ) Shortly before launch. at the IUCRM Colloquium on Passive Radiometry of the Ocean (June 1978). a working group on water color measurements was formed to assess water color remote sensing at that time. A report (Morel and Gordon. 1980) was prepared which summarized the state-of-the-art of the algorithms for atmospheric correction. and phytoplankton pigment and seston retrieval. and which included recommendations concerning the design of next generation sensors. The water color session of the COSPAR/SCOR/IUCRM Symposium 'Oceanography from Space' held in Venice (May 1980. i. e •• in the post-launch period) provided the opportunity for a reassessment of the state-of-the-art after having gained some experience in the analysis of the initial CZCS imagery. Such an assessment is the purpose of this review paper. which will begin with an outline of the basic physics of water color remote sensing and the fundamentals of atmospheric corrections. The present state of the constituent retrieval and atmospheric correction algorithms will then be critically assessed.

When Koala asks what colour is the sea, she gets so many different answers she decides to find out for herself.