Born in St. Kitts and brought up in the UK, bestselling author Caryl Phillips has written about and explored the experience of migration for more than thirty years through his spellbinding and award-winning novels, plays, and essays. Now, in a magnificent and beautifully written new book, Phillips reflects on the shifting notions of race, culture, and belonging before and after the September 11 attacks on the World Trade Center. Color Me English opens with an inspired story from his boyhood, a poignant account of a shared sense of isolation he felt with the first Muslim boy who joined his school. Phillips then turns to his years living and teaching in the United States, including a moving account of the day the twin towers fell. We follow him across Europe and through Africa while he grapples with making sense of colonial histories and contemporary migrations—engaging with legendary African, African American, and international writers from James Baldwin and Richard Wright to Chinua Achebe and Ha Jin who have aspired to see themselves and their own societies more clearly. A truly transnational reflection on race and culture in a post-9/11 world, Color Me English is a stunning collection of writing that is at once timeless and urgent.

This monograph examines Caryl Phillips’s The Nature of Blood (1997), a novel exploring recurring expressions of exclusion and discrimination throughout history with particular focus on Jewish and African diasporas and the storytelling of its migrant characters. Particular attention is given to the analysis of characters revealing different facets of the Jewish question. Maria Festa also provides a historical excursus on the notion of race and considers another character alluding to Shakespeare’s Othello to expose the paradoxes of the relationship between subjugator and subjugated. The study makes the case that among the novel’s most remarkable achievements is Phillips’s effort to redress the absence of the Other from our history, that by depicting experiences of displacement, and by confronting readers with seemingly disconnected narrative fragments, The Nature of Blood is a reminder of the missing stories, the voices—marginalised and often racialized—that Western history has consistently failed to include in its accounts of the past and arguably its present.

World War II produced a fundamental shift in modern racial discourse. In the postwar period, racism was situated for the first time at the center of international political life, and race's status as conceptual common sense and a justification for colonial rule was challenged with new intensity. In response to this crisis of race, the UN and UNESCO initiated a project of racial reeducation. This global antiracist campaign was framed by the persecution of Europe's Jews and anchored by UNESCO's epochal 1950 Statement on Race, which redefined the race concept and canonized the midcentury liberal antiracist consensus that continues to shape our present. In this book, Sonali Thakkar tells the story of how UNESCO's race project directly influenced anticolonial thought and made Jewish difference and the Holocaust enduring preoccupations for anticolonial and postcolonial writers. Drawing on UNESCO's rich archival resources and shifting between the scientific, social scientific, literary, and cultural, Thakkar offers new readings of a varied collection of texts from the postcolonial, Jewish, and Black diasporic traditions. Anticolonial thought and postcolonial literature critically recast liberal scientific antiracism, Thakkar argues, and the concepts central to this new moral economy were the medium for postcolonialism's engagement with Jewishness. By recovering these connections, she shows how the midcentury crisis of racial meaning shaped the kinds of solidarities between racialized subjects that are thinkable today.

Taking as its starting point a moving recollection of growing up in Leeds during the 1970s, Colour Me English broadens into a reflective, entertaining and challenging collection of essays and other non-fiction writing which ranges from the literary to the cultural and autobiographical. Caryl Phillips describes the experience of living and working in America, and travels in Sierra Leone and beyond. He considers the lives and works of many figures including Chinua Achebe, James Baldwin, Billie Holiday and Luther Vandross, and how their experiences are refracted through the prisms of writing, music and cinema.