LONGLISTED FOR THE BOOKER PRIZE “Luminous.” —Jonathan Myerson, The Guardian “Vivid, thought-provoking.” —Malcolm Forbes, Star Tribune In 1979, as violence erupts all over Ireland, two outsiders travel to a small island off the west coast in search of their own answers, despite what it may cost the islanders. It is the summer of 1979. An English painter travels to a small island off the west coast of Ireland. Mr. Lloyd takes the last leg by currach, though boats with engines are available and he doesn’t much like the sea. He wants the authentic experience, to be changed by this place, to let its quiet and light fill him, give him room to create. He doesn’t know that a Frenchman follows close behind. Jean-Pierre Masson has visited the island for many years, studying the language of those who make it their home. He is fiercely protective of their isolation, deems it essential to exploring his theories of language preservation and identity. But the people who live on this rock—three miles long and half a mile wide—have their own views on what is being recorded, what is being taken, and what ought to be given in return. Over the summer, each of them—from great-grandmother Bean Uí Fhloinn, to widowed Mairéad, to fifteen-year-old James, who is determined to avoid the life of a fisherman—will wrestle with their values and desires. Meanwhile, all over Ireland, violence is erupting. And there is blame enough to go around. An expertly woven portrait of character and place, a stirring investigation into yearning to find one’s way, and an unflinchingly political critique of the long, seething cost of imperialism, Audrey Magee’s The Colony is a novel that transports, that celebrates beauty and connection, and that reckons with the inevitable ruptures of independence.

Set on a colony ship from Earth in the 21st century, the creator of Red Dwarf has created a new set of comedy characters, including a doctor who exists as a pickled mind in a pickle jar as the result of an accident.

New York Times Bestseller New York Times Book Review Editors’ Choice "An essential and groundbreaking text in the effort to understand how American criminal justice went so badly awry." —Ta-Nehisi Coates, author of Between the World and Me In A Colony in a Nation, New York Times best-selling author and Emmy Award–winning news anchor Chris Hayes upends the national conversation on policing and democracy. Drawing on wide-ranging historical, social, and political analysis, as well as deeply personal experiences with law enforcement, Hayes contends that our country has fractured in two: the Colony and the Nation. In the Nation, the law is venerated. In the Colony, fear and order undermine civil rights. With great empathy, Hayes seeks to understand this systemic divide, examining its ties to racial inequality, the omnipresent threat of guns, and the dangerous and unfortunate results of choices made by fear.

In the Oregon coastal hamlet of Deception Bay stands a mysterious lodge. Some call it the Colony; others whisper that it’s a cult. To the women who live there, it’s a refuge. But a killer knows their secrets—and will make sure they never feel safe again . . . WICKED GAME Twenty years after Becca Hudson’s friend, Jessie, vanished from St. Elizabeth’s high school, a body is unearthed on school grounds. Far from solving the mystery, the discovery unleashes a string of new, horrible accidents. Is it coincidence—or has Jessie's murderer returned to finish what was started years ago? WICKED LIES Laura Adderley didn't plan to get pregnant, though she'll do anything to protect her baby. But now a reporter is asking questions about the lodge. And while he figures out Laura's connection to the story, Laura can sense a psychopath bent on her destruction . . . SOMETHING WICKED Detective Savannah Dunbar just wants to wrap up paperwork before taking medical leave. But her department's investigation into a double homicide has suddenly become personal. There are disturbing rumors about the Colony, its matriarch, and its history. Yet Savannah knows they’re no match for the wicked truth . . . WICKED WAYS Elizabeth Gaines Ellis wants to believe she’s just an ordinary suburban wife and mother. Yet for months, she’s worried that she's the cause of a series of brutal deaths. No one takes her seriously—except the private investigator prying into her past. But others have secrets too, and a relentless urge to kill without remorse . . .

**SMITHSONIAN MAGAZINE, "10 BEST HISTORY BOOKS OF 2022"** **AMAZON, "BEST BOOK OF THE MONTH (Nonfiction)"** **APPLE, "BEST BOOK OF THE MONTH"** From a historian and senior editor at Atlas Obscura, a fascinating account of the daring nineteenth-century women who moved to South Dakota to divorce their husbands and start living on their own terms For a woman traveling without her husband in the late nineteenth century, there was only one reason to take the train all the way to Sioux Falls, South Dakota, one sure to garner disapproval from fellow passengers. On the American frontier, the new state offered a tempting freedom often difficult to obtain elsewhere: divorce. With the laxest divorce laws in the country, five railroad lines, and the finest hotel for hundreds of miles, the small city became the unexpected headquarters for unhappy spouses—infamous around the world as The Divorce Colony. These society divorcees put Sioux Falls at the center of a heated national debate over the future of American marriage. As clashes mounted in the country's gossip columns, church halls, courtrooms and even the White House, the women caught in the crosshairs in Sioux Falls geared up for a fight they didn't go looking for, a fight that was the only path to their freedom. In The Divorce Colony, writer and historian April White unveils the incredible social, political, and personal dramas that unfolded in Sioux Falls and reverberated around the country through the stories of four very different women: Maggie De Stuers, a descendent of the influential New York Astors whose divorce captivated the world; Mary Nevins Blaine, a daughter-in-law to a presidential hopeful with a vendetta against her meddling mother-in-law; Blanche Molineux, an aspiring actress escaping a husband she believed to be a murderer; and Flora Bigelow Dodge, a vivacious woman determined, against all odds, to obtain a "dignified" divorce. Entertaining, enlightening, and utterly feminist, The Divorce Colony is a rich, deeply researched tapestry of social history and human drama that reads like a novel. Amidst salacious newspaper headlines, juicy court documents, and high-profile cameos from the era's most well-known players, this story lays bare the journey of the turn-of-the-century socialites who took their lives into their own hands and reshaped the country's attitudes about marriage and divorce.

New archeological discoveries may finally solve the greatest mystery of Colonial America in this history of Roanoke and Hatteras Islands. Established on what is now North Carolina’s Roanoke Island, the Roanoke Colony was intended to be England’s first permanent settlement in North America. But in 1590, the entire population disappeared without a trace. The only clue to their fate was the word “Croatoan” carved into a tree. For centuries, the legend of the Lost Colony has captivated imaginations. Now, archaeologists from the University of Bristol, working with the Croatoan Archaeological Society, have uncovered tantalizing clues to the fate of the colony. In The Lost Colony and Hatteras Island, Hatteras native and amateur archaeologist Scott Dawson compiles what scholars know about the Lost Colony along with what scholars have found beneath the soil of Hatteras.

A Publishers Weekly Summer Reads Selection “The Colony is one of the most gripping and disturbing true stories I’ve ever come across.” —Douglas Preston An investigation into the November, 2019 killings of nine women and children in Northern Mexico—an event that drew international attention—The Colony examines the strange, little-understood world of a polygamist Mormon outpost. On the morning of November 4, 2019, an unassuming caravan of women and children was ambushed by masked gunmen on a desolate stretch of road in northern Mexico controlled by the Sinaloa drug cartel. Firing semi-automatic weapons, the attackers killed nine people and gravely injured five more. The victims were members of the LeBaron and La Mora communities—fundamentalist Mormons whose forebears broke from the LDS Church and settled in Mexico when their religion outlawed polygamy in the late nineteenth century. The massacre produced international headlines for weeks, and prompted President Donald Trump to threaten to send in the US Army. In The Colony, bestselling investigative journalist Sally Denton picks up where the initial, incomplete reporting on the attacks ended, and delves into the complex story of the LeBaron clan. Their homestead—Colonia LeBaron—is a portal into the past, a place that offers a glimpse of life within a polygamous community on an arid and dangerous frontier in the mid-1800s, though with smartphones and machine guns. Rooting her narrative in written sources as well as interviews with anonymous women from LeBaron itself, Denton unfolds an epic, disturbing tale that spans the first polygamist emigrations to Mexico through the LeBarons’ internal blood feud in the 1970s—started by Ervil LeBaron, known as the “Mormon Manson”—and up to the family’s recent alliance with the NXIVM sex cult, whose now-imprisoned leader, Keith Raniere, may have based his practices on the society he witnessed in Colonia LeBaron. The LeBarons’ tense but peaceful interactions with Sinaloa deteriorated in the years leading up to the ambush. LeBaron patriarchs believed they were deliberately targeted by the cartel. Others suspected that local farmers had carried out the attacks in response to the LeBarons’ seizure of water rights for their massive pecan orchards. As Denton approaches answers to who committed the murders, and why, The Colony transforms into something more than a crime story. A descendant of polygamist Mormons herself, Denton explores what drove so many women over generations to join or remain in a community based on male supremacy and female servitude. Then and now, these women of Zion found themselves in an isolated desert, navigating the often-mysterious complications of plural marriage—and supported, Denton shows, only by one another. A mesmerizing feat of investigative journalism, The Colony doubles as an unforgettable account of sisterhood that can flourish in polygamist communities, against the odds.