This book examines the advertising posters, town plans and geographical views that encouraged middle-class emigration to New Zealand in the 1840s. It explores how the New Zealand Company exploited visual literacy to advertise its settlement in Te Whanganui ā Tara Wellington. A tale of two towns, prospective English settlers looked to Wellington to make their homes, while Te Whanganui ā Tara was already home to numerous Māori sub-tribes. The book explores the worlds of each to ask how the images produced by the New Zealand Company were complicit in transferring Māori land into English ownership. Not seeking blame, it works instead to understand, and investigates processes of redress, offering hope for a post post-colonial future in Aotearoa New Zealand. This book will interest scholars and students of migration, visual culture and print history.

"The museums of Aotearoa New Zealand hold a glorious treasure trove of clothing worn by fashionable women from 1840 to the early 1900s. From ball gowns and riding habits to tea gowns and dresses worn for presentations to Queen Victoria, these gowns help tell the story of the lives of early businesswomen, society women and civic figures, making Dressed a unique social history"--Back cover.

Up until now books on Maori art have described the work as either traditional (carving, weaving, painting) or contemporary, work produced post-1950s. This book presents a unique focus on Maori art by exploring the connection between the traditional and contemporary, and the place of Maori art within an international context. Maori Art provides a framework for looking at Maori art in a new way and fills a gap in Maori art history - while there are myriad surveys of Maori art there is currently very little critical writing on Maori art and artists. The book is extensively illustrated with over 400 art works, landscapes and meeting houses, many never published before, including 100 specially commissioned photographs from renowned New Zealand photographers Mark Adams and Haruhiko Sameshima.

Foot-tracks in New Zealand examines the development of walking tracks over two centuries, from the early 19th century to about 2011. The paperback version comes in two volumes but is otherwise identical to the electronic version. Page size: A4 Format: Paperback, 2 vol. ISBN: 0473191911, 9780473191917 Number of pages: 1000 About: Trails, Tracks, New Zealand, History, Recreation, Land access. Availability: By print on demand from The Fine Print Company, Waipukurau, Central Hawke’s Bay, 4200, NZ.

Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their disp.

"It should have been no surprise that a great-grandson of the adventuresome and enterprising Richard (Dicky) Barrett, trader, whaler, interpreter and hotel owner, would in his own field become an entrepreneurial leader in agricultural commerce and marketing. Arthur Huia Honeyfield stepped beyond Dicky Barrett in that he demostrated a unique ability to excell both in private enterprise and as a bureaucrat. He was a pioneer aviator, he wa early on the scene in exotic afforestation, he had qualifications in law and accountancy, he established the second commerical planting of avocados in New Zealand, and he was the "money man" behind the development of New Zealand's largest export port."--backcover.