Colonial Wrought Iron is a photographic survey of early wrought iron work in America with 506 photographs from the Sorber Collection. The colonial period in America was centered around the blacksmith who was the maker and creator of these items. The informational text explains the characteristics and the conditions of the period in which the iron was forged. Colonial Wrought Iron is an invaluable resource tool for the blacksmith involved making reproduction hardware and related items, as well as an inspiration for merging form and function. In this book you will find the commonplace and the ornate but they all reflect the hand of fine craftsmanship. The work displayed in Colonial Wrought Iron is from the collection of Jim Sorber. Jim, now in his eighties, has been an avid collector for 70 years. This collection is a result of a life steeped in an enduring appreciation for the skills of his ancestors. Even as a child he was interested in their hand tools and the wonderful things they made. That interest soon grew into a passion. A unique aspect of Jims collection is that it reflects a certain ethnic influence. Much of his collecting has been done near his home in the counties of Berks, Chester, Lancaster, Lebanon, Lehigh, Montgomery and Schuylkill. This area has been settled by German immigrants since the mid-to-late 17th century. Jims collection, many pieces of which are signed and dated, reflects an iron chronicle of the Pennsylvania Dutch migration westward from the Philadelphia area.

Every year, Yorktown, Virginia, relives its role in the Revolutionary War by celebrating the anniversary of the British surrender in 1781. This year, plans include a re-enactment of the original battle and a colonial craft fair. Meg Langslow has returned to her home town for the festivities--and to sell her wrought-iron works of art. Except, of course, for the pink-painted flamingos she reluctantly made for her mother's best friend--she's hoping to deliver them secretly, so she won't get a reputation as "the blacksmith who makes those cute wrought-iron flamingos." Besides, she has taken on another responsibility--making sure none of her fellow crafters ruin the historical authenticity of the fair with forbidden modern devices--like wrist watches, calculators, or cell phones. She's only doing it to keep peace with the mother of the man she loves. And Michael himself will don the white-and-gold uniform of a French officer for the re-enactment--what actor could resist a role like that? Meg's also trying to keep her father from scaring too many tourists with his impersonation of an 18th century physician. And to prevent a snooping reporter from publishing any stories about local scandals. Not to mention saving her naive brother, Rob, from the clutches of a con man who might steal the computer game he has invented. It's a tough job--at least, until the swindler is found dead, slain in Meg's booth with one of her own wrought-iron creations. Now Meg must add another item to her already lengthy to do list: "Don't forget to solve the murder!" Fortunately, the more trouble Meg faces, the more fun the reader will have--and Meg faces plenty of trouble in this lighthearted and funny novel.

By mastering founding, fining, puddling, or bloom smelting, ironworkers gained a degree of control over their lives not easily attained by others.

The aura and romance of Old California lives on in this treasury of inviting homes. The California House presents the magic of the "golden state," that land of infinite promise and dreams, the most tangible expression of which can be found in the homes built by early California dreamers. Here domestic visions of tranquility and repose were inventively realized—in stucco or stone, wood and wrought iron, plaster, and glass and tile. Spanish Colonial Revival–style homes with elaborate wrought-iron window grilles, romantic, shadowy interiors, and lush courtyard gardens stand beside other particularly Californian architectural wonders such as the San Francisco Victorian Painted Lady, the Monterey Colonial, Eurekan Queen Anne, and the homey California Arts & Crafts. Including houses designed by luminaries George Washington Smith, Stanford White, Greene & Greene, and Reginald Johnson, this book will fascinate both the architecture aficionado and interior design enthusiasts, as well as the everyday lover of homes. Including, but going beyond, the much-adored Spanish style (in its many manifestations) and Mission Revival, the book features as well the Victorian of San Francisco's Painted Lady and Eureka's Queen Anne, Monterey Colonial, California Arts & Crafts, French Chateau, classic Colonial farm house, and more. All new color photography of 25 houses in California ranging in style from Spanish Colonial Revival, Mission, Victorian, Queen Anne, California Arts & Crafts, Monterey, French Chateau, Colonial Farm House. The book includes little known California work by well known architect Stanford White, known primarily for his East Coast work (designer of the original Penn Station with McKim, Mead & White, and original Madison Square Garden, and many others); as well as the Magdelena Zanone House (Queen Anne late Victorian style home in Eureka, CA); the Murphy House, San Francisco (Classic French Chateau); a Gothic Victorian 1860s home in Sonoma; Casa Amesti (Monterey style home); "El Cerrito" designed by Russel Ray and Winsor Soule and built in 1913 in Santa Barbara (an amalgam of Mission and Spanish Colonial Revival); the Frothingham House designed by George Washington Smith in 1922 (Spanish Colonial Rev.); Cuartro Ventos House by Reginald Johnson, 1929 in Santa Barbara; William Edwards House by Roland E. Coate, Sr. in San Marino, 1926; Robinson House by Greene and Greene in Pasadena, 1905; Sack House in Berkeley (California Arts & Crafts) Brune-Reutlinger House in San Francisco (classic Painted Lady Victorian); a colonial mid-19th cent farm house in Sonoma; "Mariposa," classic Spanish style in Montecito; The Marston House in San Diego (Arts & Crafts/Tudoresque); Rancho Los Alamos De Santa Elena in Los Alamos (Span. Col. Rev.); Pepper Hill Farm in Balard.

The History of Metals in America chronicles the development of metals as both an industrial activity and a science. Progress involving structural metals made possible the air, land, sea, and space travel of today, skyscrapers reaching over 100 stories high, and many other engineering accomplishments that continue to shape modern society. This lively book takes the reader on a fascinating journey through the evolution of metals and metallurgy from the beginning of iron production in colonial times with the first iron plant in 1645 to the prevailing metals of the 21st century. Each chapter describes the development of a metal or series of metal alloys, industry growth, and modern uses in manufacturing. It includes chapters on cast iron, wrought iron, alloy steels, tool steels, stainless steels, nickel-base superalloys, aluminum, and titanium. Other chapters cover the science of metals as it developed from 1890 to 1950 and the biographies of the pioneers of metals research. The final chapters cover the formation, growth, and decline of the integrated steel industry and the rise of a new industry in steel minimills. The History of Metals in America will appeal to readers in all sectors of the materials industry, students and faculty of engineering programs, middle and high school American history students, and anyone interested in the history of technology, travel, tools, and machinery in the U.S. The author, Charles R. Simcoe, wrote more than 40 articles for ASM International’s Advanced Materials & Processes magazine, including a monthly series entitled “Metallurgy Lane,” which became the basis for this book.

A survey of the full range of ornamental and utilitarian ironwork used and made by Spanish colonial people in California, Arizona, New Mexico and Texas.